Do you have a manager, agent or representative who helps you sign or close deals? Why or why not? If you do have one, how did you find them and how did you know they were the right one for you? These are some of the questions we asked some very talented folks from the community and we’ve shared their responses below.

Lucy Sarasin

I think there is a lot of misconception in showbuisness surrounding representation. Most actors coming out of drama school set it as their highest priority sign with an agent/manager right away. They believe that once they have representation, auditions (and then, later jobs) will come. That maybe then they’ll be able to breathe a sigh of relief, sit back, relax a little. Read more>>

Stanley Morrison

After getting a couple licensing contracts I started to realize that agent might be necessary. Just to keep track of royalities and contracts. Luckily I was contacted by Tate Licensing about him wanting to be my licensing agent. The first phone call went well so I decide to take him on as my agent. It has worked out good so far and he has got many other licensing work. Read more>>

Mitch Lemos

I have a great story about how I was signed by PeopleStore. Over a year of waiting and pushing and contacting. Read more>>

Peyton Michelle Edwards

The search for management as a creative can be frustrating. For a long time, I was on the hunt for anyone who might be willing to represent me. People were always taking about finding the right fit; I didn’t find compatibility all that relevant, I just wanted representation. Read more>>

Titi LoKei

In the midst of the 2020 Pandemic, I hit rock bottom, contemplating the abandonment of my music career. It felt like I had already surrendered to the challenges. Then, a pivotal phone call from a music comrade changed everything. They introduced me to a producer, and through that connection, I found my way to Smash Coast Music Sync agency. Read more>>