We caught up with the brilliant and insightful Jue Lin a few weeks ago and have shared our conversation below.

Alright, Jue thanks for taking the time to share your stories and insights with us today. Can you talk to us about how you learned to do what you do?

To bring the world or images in my mind to life, I actively learn software or techniques on my own. I don’t like theoretical learning much; those lengthy 4-hour software tutorials on YouTube don’t work for me. I prefer learning by doing, supplementing knowledge while creating to achieve the desired effects. Years ago, after watching Edgar Wright’s movie, I wanted to apply a specific editing technique he used in my own films, leading me to discover masking editing. For me, any technical skills in software are secondary. The crucial skill we need to hone is our ideas, our imagination.

Jue, love having you share your insights with us. Before we ask you more questions, maybe you can take a moment to introduce yourself to our readers who might have missed our earlier conversations?

I believe in the existence of alternate worlds. I think there are several parallel magical spaces on Earth, with species only mentioned in legends and breathtaking scenes beyond our conscious limits. This belief has been my biggest motivation. As an individual human, I feel insufficient to explore even a glimpse of another world, lacking any supernatural abilities. Therefore, I’ve been using visual imagery to follow my instincts and unveil the mysteries of dimensions. I explore through various forms like photography, videos, and conceptual art. I believe the truth of this world lies deep within the human brain, so challenging our perception of the surroundings is a goal I continually strive for in my creative process.

Do you think there is something that non-creatives might struggle to understand about your journey as a creative? Maybe you can shed some light?

I actually believe that everyone, fundamentally, is a creative innovator. I often see people marvel at the imaginative thoughts of their childhood, expressing a longing for the pure creativity they had back then. I’m no exception. Regarding the urge to create, I think my middle school self was much stronger than the current me. At that time, I could burst with inspiration and draw a long comic over just one summer. So, whether or not someone works in a creative field, I believe that through communication, people can ultimately understand each other. We all were dreamers; it’s just that some continue to dream, while others are gradually worn down by society.

What’s the most rewarding aspect of being a creative in your experience?

Continuously viewing the world from a fresh perspective — it feels like opening a third eye for me. I remember in the underground parking of my apartment, there’s a grey pillar wrapped in plastic. It stands in a corner that might be easily overlooked, but every time I pass by, I sense it’s like a child facing the wall—a bit like those startling ghosts from horror mockumentaries that catch you off guard when you turn around. Over time, I even feel like it might come to life, especially when its plastic surface flickers in the dim light with the wind from the parking entrance. But strangely, I don’t find it scary. In fact, I look forward to witnessing peculiar phenomena. When you’re constantly expanding your imagination, odd things might just become a part of your normal acceptance. For example, I believe that every time I make a memory error, it’s due to the confusion of time and space.

Contact Info:

• Instagram: https://www.instagram.com/jade.has.a.very.long.username?igsh=OGQ5ZDc2ODk2ZA%3D%3D&utm_source=qr

Image Credits
Jue Lin