Do you have a manager, agent or representative who helps you sign or close deals? Why or why not? If you do have one, how did you find them and how did you know they were the right one for you? These are some of the questions we asked some very talented folks from the community and we’ve shared their responses below.

DaVyne Truth

I don’t have a traditional agent, but I am represented by multiple agencies I’ve signed deals with, including Koze Music, APM, Anacrusis Songs, Madden Flow Entertainment, What Up Pitches, Morris & Young, Audio Vybez, earWAV, and many more.

I’ve built strong relationships with top sync agencies, music libraries, and supervisors who consistently place my music in TV, film, and ads. My opportunities come from a combination of direct outreach, strategic networking, and letting the quality of my work speak for itself. Read More>>

Nicole Ohara

I’m theatrically represented by Image Powerhouse and their commercial division Prestigious Models, and I’m so happy with the relationship I have with my reps!! I have to give a big shout-out to Kim Loan Duong who owns and operates the company, and my girl, Michelle Lee, for continuing to submit me for roles, answering my emails, and believing in me wholeheartedly! They are truly the best! Read More>>

Bradd Marquis

Yes, I have an agent who plays a crucial role in securing opportunities and ensuring fair compensation for my creative work. I initially connected with my agent in 2016 when I reached out via email to introduce The Music of Sam Cooke: Change is Gonna Come and express my vision for the show. My agent, having previously represented two Sam Cooke tribute shows, was intrigued and attended an intimate acoustic performance at Rockwood Hall in NYC. Read More>>

Mark Stevens

Yes, I’ve been very lucky to have worked with Josh Getzler (Hannigan-Getzler) for about nine years. We met thanks to a friend who introduced me to one of the agents who used to work with Josh’s firm. She was a fantastic literary agent (still is) who decided to switch her focus from crime fiction to young adult about six months after we started working together. At that point, Josh did not have to keep me on with his agency – but he did. I was thrilled. Josh has been extremely strategic and thoughtful about what projects to pitch to publishers and when. Read More>>