Today we’d like to introduce you to Ling-yen Jones

Hi Ling-yen, please kick things off for us with an introduction to yourself and your story.

I started my business, Ling-Yen Designs while I was in college, driven by a passion for becoming an artist, metalsmith, and jeweler. Over the past thirty years, I’ve developed several lines of jewelry, including the Unmentionable series with Asian-inspired faces, Windows of Opportunity as a nod to metaphorical and literal architecture and homes, and my geometric lines.

From a young age, I’ve been captivated by tiny, intricate objects like jewelry and dollhouse-sized items, which continue to inspire me. I learned about the historical practice of survivors and travelers hiding small valuables in the linings of their clothing or within jewelry, such as bracelets and earrings, sometimes even including precious stones.

I find it fascinating how something small can carry immense value and history. I take great joy in creating and selling my work, and I’m proud of the originality and uniqueness of my designs. My pieces have their own special identity, and I love when someone recognizes their own identity in a piece of my work. I appreciate how my jewelry reflects my personal touch and creative vision.

I’m sure it wasn’t obstacle-free, but would you say the journey has been fairly smooth so far?

The road hasn’t always been smooth, but I’ve managed to navigate it as best I can. There have been times when things were challenging, and I’ve had to figure out how to make the path better and more prosperous.

In 2003 after having just moved from Monterey to Mendocino County with my collected jewelry supplies and equipment, my house burned to the ground. We were thankfully not hurt, but my jewelry, supplies, and equipment were among my losses. I was devastated as I saw no easy way back to being able to create and sell. Having lived in 3 different communities, friends and acquaintances heard about the fire and began stepping up and finding equipment for me. I was so moved and had a renewed passion for creating jewelry.

To support my work with Ling-Yen Designs, I’ve taken on various other jobs—like working at a doctor’s office, waitressing, and cleaning houses. These roles allowed me to continue creating and developing my jewelry. My father always encouraged me, reminding me that pursuing this path would be a continual effort, but one that I’m deeply passionate about.

I love working on my jewelry daily and make sure to dedicate at least two hours a day to my craft, whether it’s working in my laboratory or handling the business aspects of Ling-Yen Designs. This includes managing social media, applying for exhibits and vending shows, and ensuring that my galleries have enough of my work and remember me.

Another challenge is that galleries often feature a wide range of items, from clothing to jewelry, so it can be tough to stand out. Choosing the right art shows is also crucial—picking the wrong one can be a costly mistake in terms of both money and time. To mitigate these issues, I strive to be well-prepared: packing my car with everything I need and setting up my booth to be inviting and appealing. I make it a point to prepare thoroughly each year to ensure a smoother experience.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?

Every piece I create is handmade and hand-fabricated by me, which is a cornerstone of my work. I take immense pride in the fact that I’ve dedicated thirty years to this craft. I’m also deeply grateful for the unwavering support of my husband, Jon Handel, who has been instrumental in my journey.

What distinguishes my work is its originality—each piece springs from my own ideas and imagination. I’m thrilled that I’ve been able to carve out time to continually develop and refine the concepts that define my collections, including the Unmentionable series and Windows of Opportunity.

I’ve come to understand that my work has a unique voice and isn’t for everyone, but I strive to create pieces that resonate with both artistic and non-artistic patrons. I enjoy experimenting with new ways to represent faces and windows, and I find joy in working with hollow forms, like boxes, which allow me to explore both sides of the piece creatively.

One of my recent creations is a single-sheet oval face line, which has been well-received for its accessibility and its embodiment of my core techniques: soldering, piercing, and creative design. This new line showcases the full spectrum of my skills and reflects my passion for crafting distinctive, meaningful jewelry.

Are there any important lessons you’ve learned that you can share with us?

The most important lesson I’ve learned is the need to remain steadfast in my conviction to create. I’ve come to realize that my work is solid and enduring, and its uniqueness is something I truly value. Creativity is deeply ingrained in me, and continuing to create is essential to who I am.

At times, when things don’t go as planned or I face challenges, immersing myself in my jewelry lab brings me solace and clarity. It’s a space where I find joy, focus, and inspiration. Working on my pieces helps me navigate difficult decisions and move forward.

One recent challenge was the closure of one of my favorite shops, Cha Ya, in Monterey, California, which carried my work. The shop’s theme and the owner’s expertise in representing my jewelry made it a perfect fit. Finding a new gallery to match that unique connection has been difficult, but I’m hopeful that another opportunity will arise. Despite the setbacks, my commitment to creating and my passion for my work continue to drive me forward.

Contact Info:

• Website: https://www.LIng-Yendesigns.com
• Instagram: LingYenJones
• Facebook: https://www.facebook.com/profile.php?id=100027429056212
• Other: https://www.etsy.com/shop/LingYenDesigns

Image Credits

Robert Diamante
David Yager
Ben Goodsit