Alright – so today we’ve got the honor of introducing you to Yoella Razili. We think you’ll enjoy our conversation, we’ve shared it below.

Yoella, thanks for joining us, excited to have you contributing your stories and insights. What’s been the most meaningful project you’ve worked on?

Those two projects were particularly meaningful to me for a few reasons:

Exhibition in “Latitude 34-40” in Naples, Italy: This group show provided a platform to showcase my work alongside other talented artists, allowing for artistic exchange and dialogue.
Participation in the International Biennale of Non-Objective Art in Grenoble, France: Being part of this biennale highlighted my work within the context of contemporary non-objective art, offering broader exposure and connecting me with an international audience.
Both of these opportunities were significant because they recognized and validated the importance of my art-making, affirming my creative vision and dedication to my practice.

Awesome – so before we get into the rest of our questions, can you briefly introduce yourself to our readers.

I am an Israeli-born artist currently residing and working in Los Angeles, I belong to the non-objective art movement and mainly produce abstract art. My artistic practice spans various media, prominently featuring found materials and paint.

My journey in the arts began with my Master of Fine Arts degree from Otis Art Institute in 1981. Since then, I have garnered international acclaim through exhibitions in the USA, Israel, Korea, France, and Italy.

Central to my artistic philosophy is the transformation of discarded wood scraps into conceptual art pieces within my studio. Guided by influences from the Minimalism movement and Arte Povera, I draw inspiration from artists like Antoni Tapies, Cy Twombly, Donald Judd, and Richard Tuttle.

My creative process involves integrating these found materials, each imbued with its own narrative and history, with layers of paint. This approach results in a new, evocative architectural language that emphasizes balance, unity, and tranquility.

We’d love to hear a story of resilience from your journey.

Throughout the years, I have steadfastly maintained my art practice, even after moving to the US where English was my second language. Pursuing further education, I earned a master’s degree in fine art, a journey that required me to take on additional jobs to sustain my artistic endeavors.

Balancing the roles of an artist and a mother to three children presented its challenges, yet I remained committed to both responsibilities. Persistence, resilience, and patience became my guiding principles during this demanding period.

In your view, what can society to do to best support artists, creatives and a thriving creative ecosystem?

The best way society can support artists are:
1. Buy their works
2. Commissioning Work
3. Attending Shows and Exhibitions
4. Providing Grants and Scholarship
5. Promoting Their Work

Contact Info:

• Website: https://studio.yoellarazili.com
• Instagram: @yoella_razili
• Facebook: yoella Razili
• Other: www.yoellarazili.com
  @yoellarazili (TikTok)

Image Credits

Yoella Razili