We recently connected with Vittoria Giacomini and have shared our conversation below.

Vittoria, thanks for taking the time to share your stories with us today Let’s jump right into how you came up with the idea?

I believe inspiration is everywhere — literally. It’s something that follows me every day, even when everything feels still, quiet, or even a little monotonous. Because even on the most ordinary days, there’s always something that makes you pause and think. A detail, a gesture, a passing sentence. And as a storyteller, I live for those small things.

My creative process starts with real life. Every person I meet, every experience I go through, becomes part of my storytelling — sometimes without me even realizing it. I don’t need imaginary worlds to create a story; I just need to observe the one I live in and let it speak to me.

Of course, I get stuck sometimes. In fact, the screenplay I’m currently working on was born out of a classic case of writer’s block. I felt like I was going in circles, unable to move the story forward. So I decided to change perspective: I imagined my character sitting in front of me, as if they were real. I gave them a voice, a past, some insecurities. I started having conversations with them — and slowly, the ideas started to flow again.

Inspiration often comes when you least expect it. Sometimes it’s a song, other times it’s a random conversation. But it’s always something that captures my attention and sparks a new idea.

Personally, I try not to live my days passively. I try to live like the main character in a story — with emotion, curiosity, and openness to whatever comes. Because every day has something to say, and my job — maybe even my calling — is to find a way to tell that story.

In the end, the world around me is my greatest source of inspiration. With just a bit of imagination and honesty, I can turn almost anything into a story that resonates with others.

Vittoria, before we move on to more of these sorts of questions, can you take some time to bring our readers up to speed on you and what you do?

I’m Vittoria Giacomini, an Italian filmmaker based between Italy and New York. My journey into filmmaking is deeply rooted in something very personal: I’ve lived with dyslexia my entire life. While this made traditional learning challenging, it also opened up a world where images spoke louder than words — and that’s where my love for cinema and storytelling began.

Growing up, films weren’t just entertainment for me — they were a language I could fully understand and connect with. That passion led me to study film at university in Bologna, and later, to move to New York, where I had the opportunity to truly enter the industry and work professionally, primarily as a director.

As a director, I specialize in visual storytelling — whether it’s through short films, narrative content, branded projects, or experimental work. What I offer is not just direction, but a vision that’s deeply collaborative and emotionally grounded. My creative work often explores identity, inner conflicts, and the quiet poetry of everyday life. I don’t just want to tell stories — I want to make people feel seen.

One of the things that sets me apart is the way I approach collaboration. I strongly believe that filmmaking is a team effort. I’m not a director who imposes a vision from above — I’m someone who listens. I love brainstorming with my crew, building ideas together, and allowing each person’s creativity to shape the final result. There’s something magical about seeing a project evolve through the energy of a team — especially when everyone is working toward the same goal.

I’m especially proud of the milestones I’ve reached with my work. One of my films was screened twice in New York — a moment that was both humbling and unforgettable. In addition, I’ve had the honor of winning several awards at film festivals around the world. But none of these accomplishments would have been possible without the incredible teams I’ve had the privilege of working with. Every award, every screening, is the result of shared passion, hard work, and creative trust.

Of course, working with many voices can lead to different opinions. But I truly believe that with mutual respect and openness, even creative disagreements can become productive. At the end of the day, what matters most is the story and the emotion behind it.

For anyone discovering my work for the first time, I’d want them to know this: everything I create comes from a place of sincerity and deep curiosity. I care about the people I work with, I care about the characters I write, and I care about the audience who receives the story. My goal is always to build something honest, visual, and emotionally true — with a team of passionate creatives by my sid

Let’s talk about resilience next – do you have a story you can share with us?

One of the moments that really tested my resilience was during the writing of my short film Il dolce far niente. I hit a point where I just couldn’t move forward — it was a full-on writer’s block. No matter how hard I tried, the story wasn’t coming together the way I had envisioned it.

What I realized, though, was that I was trying to force the story to follow a path I had already mapped out in my mind. I was getting caught in the details, and it started feeling mechanical. So, I decided to step back and take a completely different approach. Instead of forcing the narrative forward, I took the time to imagine my character’s life outside of the script.

Even though it had nothing to do with the actual plot, I started visualizing my character’s past, their hopes, fears, and dreams. I spent time imagining them as a fully developed person — what they do when they’re not in the story, how they think, and what drives them. This exercise gave me the emotional depth I needed, and, unexpectedly, it unlocked the rest of the film. The character came alive in a way I hadn’t anticipated, and from that, the story began to flow naturally.

It was a powerful reminder that creativity doesn’t always come from following a structured plan. Sometimes, it’s about letting go of expectations and connecting with the emotional core of the characters and the world you’re creating.

Are there any resources you wish you knew about earlier in your creative journey?

Looking back on my creative journey, I don’t think there’s any “wrong” way to do things. I’ve come to realize that creativity doesn’t always follow a linear path. It’s easy to feel pressured to move forward quickly, but I’ve learned that it’s important to allow your creative process to unfold naturally. For me, it’s been about embracing the idea that there’s no rush — you don’t need to force your progress, and sometimes the most meaningful breakthroughs come when you let go of expectations.

As far as resources go, I’ve also learned that working on set, no matter your position, is a constant learning experience. There’s always so much to discover — whether it’s through collaboration with other departments or understanding how different roles contribute to the bigger picture. I wish I had realized earlier that no role is too small, and every crew position offers valuable insights into the process. It’s important to be open to learning from everyone, no matter where you start.

Finally, I’ve learned to embrace experimentation without the fear of failure. At times, I’ve felt anxious or unsure about trying something new, but I’ve come to understand that taking risks and stepping outside of my comfort zone is where growth happens. There’s no shame in trying new things, and sometimes the most exciting creative moments come from places we never expected.

Contact Info:

• Website: https://vittoriapictures.com
• Instagram: vittoriapictures_ / goodvonly_
• Linkedin: https://www.linkedin.com/in/vittoria-giacomini-0a30bb183/
• Other: imdb: https://pro.imdb.com/title/tt32393486?s=7ac97bbf-4234-9f4a-9e51-e47429edce36&site_preference=normal