We recently connected with Reina Suyeon Mun and have shared our conversation below.

Reina Suyeon, thanks for joining us, excited to have you contributing your stories and insights. What’s been the most meaningful project you’ve worked on?

I had the opportunity to work on a significant project that holds great meaning for me. This project involved the creation of a series of interactive objects that blurred the boundaries between conventional design and art. Specifically, the series consisted of three distinct design-art objects: SilenceTop, Chaotic Timer, and Luminous Solace. The experience of developing this series was truly transformative for me, as it marked a pivotal point in my transition towards a multidisciplinary and generalist mindset. Prior to my time at MIT, my background was primarily in architecture. However, I always pondered the capacity of design to shape long-term experiences. As such, I was hesitant to categorize my work strictly as design or art, recognizing the strong connotations associated with each field. I envisioned my creations not confined to gallery spaces or solely serving utilitarian purposes. By deliberately transcending these boundaries, I sought to eliminate the barriers between the work and its audience or user, thereby unlocking its creative potential. Through the exploration of SilenceTop, Chaotic Timer, and Luminous Solace, I delved into the essence of objecthood and its ability to foster intimate and empathetic qualities. These objects were more than just functional or decorative; they posed thought-provoking questions about the relationship between individuals and their rapidly evolving technological environments. In a world characterized by fast-paced living and ever-advancing technology, designers and artists are not immune to its impact. Therefore, I attach great significance to bridging this gap through objects that straddle the line between design and art. The meaningful nature of this project lies in its ability to forge a connection between the human experience and the artifacts that inhabit our lives.

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

I am a multidisciplinary designer and maker with a background in architecture and art. After graduating from the Architectural Association School of Architecture in London, I pursued a Master’s degree at MIT, focusing on influential interactivity through object design. My work involves creating objects that seamlessly integrate into everyday life, bringing playfulness and emotional solace to domestic and personal spaces. I specialize in crafting objects that harmoniously blend functionality and aesthetics. By employing computational design, interactive technologies, digital fabrications, and traditional manufacturing techniques, my works aim to evoke a strong emotional connection. What sets me apart is my multidisciplinary approach, drawing on architecture, computational design, and interactive technologies. This enables me to push boundaries and explore new possibilities.

What’s a lesson you had to unlearn and what’s the backstory?

Having originally trained in architectural design, I found myself consistently relying on a logical approach and feeling the need to justify every decision I made. However, I had to unlearn this way of thinking and become more comfortable with the process of experimentation, embracing the unknown and being open to failure. Recognizing the value of exploring uncharted territories and being receptive to unexpected outcomes, I realized the importance of appreciating the state of not knowing. Letting go of preconceived notions and predetermined decisions became essential in my creative journey. I began to understand that great decisions can emerge from serendipitous encounters and discoveries made through the process of joyful failure. Embracing the unexpected allowed me to uncover new perspectives and unexplored avenues, ultimately enriching my work and leading to innovative solutions. In essence, the lesson I had to unlearn was the strict adherence to logical justifications, and instead, I embraced the power of testing, failing, and creating without being bound by preconceived notions. This shift in mindset opened up a world of possibilities, enabling me to make bold and unconventional decisions that have shaped my creative path.

For you, what’s the most rewarding aspect of being a creative?

The most rewarding aspect is witnessing the diverse narratives that unfold through the experiences of participants and users who engage with my work. Each individual brings their own unique perspective and interpretation, and seeing these narratives emerge is truly fulfilling. In fact, these interactions often become a source of new learning for myself as well. This is why I place great importance on creating with a sense of incompleteness, allowing room for participants to actively engage and contribute their own creativity to complete the work. By providing this space for collaboration and co-creation, I am able to foster a deeper connection between the work and its audience. Ultimately, the joy lies in observing how my creations resonate with others, sparking their imagination and prompting them to explore new ideas and meanings. It is through this dynamic exchange that the true power and impact of object and creativity are realized.    

Contact Info:

• Website: http://www.reinamun.xyz/
• Instagram: https://www.instagram.com/outerprobe/
• Youtube: https://www.youtube.com/outerprobe

Image Credits
All images courtesy of Reina Suyeon Mun