We’re excited to introduce you to the always interesting and insightful Megan Andricos. We hope you’ll enjoy our conversation with Megan below.
Megan, appreciate you joining us today. Can you tell us about a time that your work has been misunderstood? Why do you think it happened and did any interesting insights emerge from the experience?
I started DJing in 1999 as a hobby. I bought two turntables and a mixer and began building a collection of records, focusing mainly on techno. For the first year, I was self-taught, practicing at home whenever I could. Progress was slow as I tried to grasp the basics of mixing and beat-matching.
During that time, I became active on the NWTEKNO message board, which had forums dedicated to DJing and music reviews. I posted frequently in those sections and began connecting with more experienced DJs online. Back then, online spaces were fairly anonymous—your handle and interests were all anyone knew about you—making it easy to find common ground without prejudice.
Through the message board, I discovered a DJ meet-up happening in my area. Excited but nervous, I decided to attend, bringing my girlfriend along for support. When we arrived, it was clear we were the the only women in the room, which the men there treated as a novelty. I explained that I was still learning, hoping for advice or encouragement, but instead, they chuckled at me.
The meet-up had an open-decks format, where everyone could sign up for a slot to play. It was supposed to be a casual opportunity to share music and have fun, but it quickly became clear that it was more of a competition—an ego-driven showcase for the more experienced DJs. As the only woman and the least established DJ, I was given the last slot, right at the end of the event.
When my turn finally came, I was just starting to find my groove when they cut me off after my fourth track, claiming there wasn’t enough time left. Frustratingly, two men hovered over me the entire time, mansplaining things I already knew instead of letting me focus. My first three transitions were smooth, but the fourth was slightly off. That was all they needed to dismiss me.
One of them told me flat out: “You suck. Maybe you should sell your gear.”
I went home that night angry and hurt, but mostly determined to prove them wrong. I practiced relentlessly over the next few months, using every spare moment to hone my skills.
Six months later, I returned to the meet-up. Once again, I was given the last time slot, but this time I came prepared. When I finally stepped up, I nailed my set. My transitions were seamless, and my track selection resonated with the crowd. The praise rolled in—but, of course, someone had to tack on, “…for a girl.”
That moment hit me hard. The ingrained patriarchy and misogyny in the music scene became glaringly obvious. I realized I couldn’t thrive without finding connections with others that have been marginalized in the industry and have spent the years proceeding that time creating a community of supportive individuals and an amazing network of people.
Awesome – so before we get into the rest of our questions, can you briefly introduce yourself to our readers.
I’m a DJ, musical artist, and co-owner of Koritsi Komma Records based in Portland, Oregon who performs under the artist name of Sappho. My journey in the music world has spanned over 20 years, and I’ve poured everything into shaping the nightlife scene and creating spaces where queer people, femmes, and marginalized communities can thrive.
In my role as a DJ, I’m fortunate to be a resident for some of the most exciting party series around, including TSN and What The Dance on a national level, and Bottom Forty in Seattle, Underground SF in San Francisco, and Hardcastle and Pitch in Portland. My work as a producer and DJ takes me all over, but it’s the sense of connection with my communities that keeps me grounded.
Music has always been my way of expressing myself—my beats, my sets, they speak to the energy of the crowd, to the heart of the people. But my music is also a reflection of my commitment to making the world a better place. I’m passionate about advocating for LGBTQ+ rights, gender equality, and mental health, and I carry those values with me wherever I go, both on the decks and off. Through my music and activism, I’ve strived to create safe spaces where people can be free to express themselves without fear of judgment or harm.
A big part of my work is mentoring other queer and femme DJs, particularly those who might feel like outsiders in an industry still dominated by male voices. I know what it’s like to be the marginalized voice in the room—I’ve spent years pushing back against the status quo, and I’m committed to making sure the next generation has the tools and support they need to succeed. Whether it’s offering advice to a budding DJ or simply being a resource in the community, I take pride in giving back.
I’ve always believed that music is a powerful force, one that brings people together in ways that words alone can’t. When I step on stage, it’s not just about the music—it’s about creating a space where everyone can feel seen and heard, no matter who they are or where they come from. That’s why I keep pushing for inclusivity in everything I do. Every beat, every song, every event is an opportunity to bring people together and celebrate our differences.
For me, it’s never been about fame or accolades. It’s about creating something meaningful and lasting, something that empowers others. My goal has always been to use my platform to create change—whether it’s supporting queer artists, breaking down barriers for femmes in music, or just making sure the dancefloor is a place where everyone can feel free.
At the end of the day, I’m just a DJ trying to make the world a better place, one beat at a time. And I’ll keep doing it, because the magic of the dancefloor is where we all come together—where we can find joy, liberation, and community.
In your view, what can society to do to best support artists, creatives and a thriving creative ecosystem?
In my view, supporting artists and fostering a thriving creative ecosystem requires a commitment to inclusivity, representation, and providing tangible resources for marginalized communities. As an artist who has spent over 20 years navigating the dance music scene, I’ve seen firsthand how the status quo often excludes voices that are not aligned with mainstream or traditionally dominant perspectives. One of the biggest ways society can support artists is by creating and maintaining safe, accessible spaces where creativity can flourish—places where artists are free to express themselves without fear of discrimination or marginalization.
For me, this has meant creating environments where queer, femme, and marginalized voices are not only heard but celebrated. Whether it’s through mentorship programs, partnerships with inclusive organizations, or simply giving space to underrepresented groups in the creative field, these actions can make a real difference. Society needs to recognize that diversity in all its forms—whether in gender, race, sexuality, or background—fuels creativity. We need to amplify these voices by intentionally making room for them at every level of the creative process, from the stage to the boardroom.
Mentorship is another critical piece of the puzzle. As a mentor to other queer and femme DJs, I know how vital it is to have people who can provide guidance, support, and real opportunities. In an industry often dominated by a single narrative or group, emerging artists—especially those from marginalized communities—need mentors who not only understand the challenges they face but also offer practical support to help them break through. Society can do this by supporting mentorship programs and creating networks where artists can learn from each other, share resources, and find solidarity in their work.
Financial support and funding also play a huge role in helping the creative ecosystem thrive. Artists need access to grants, funding opportunities, and paid projects that allow them to focus on their work rather than struggle to make ends meet. For instance, when I co-produce events or create projects, I’m not only contributing to the scene—I’m also actively creating paid opportunities for other artists and performers. Financial backing, whether from the government, private organizations, or grassroots initiatives, can help ensure that creativity isn’t just a passion—it can also be a sustainable career.
Finally, it’s about recognizing the power of culture to bring people together. Music, art, and performance are vital tools for building community. The spaces we create in nightlife, on the stage, or in art galleries are opportunities for individuals to connect, express themselves, and experience freedom in a collective setting. Society can support this by actively protecting spaces where creativity is allowed to flourish—places where people can come together to share in the magic of the art and where expression is valued above conformity.
In short, a thriving creative ecosystem isn’t built solely on the backs of individual artists; it’s built by communities that recognize the value of diversity, offer mentorship and financial support, and prioritize safe, inclusive spaces where creativity can blossom.
Are there any books, videos or other content that you feel have meaningfully impacted your thinking?
Yes, there are several books and resources that have deeply influenced my management and entrepreneurial approach. Each of them has shaped the way I think about business, creativity, and culture in different ways.
First and foremost, one of the most enjoyable and insightful books I’ve read is How Music Works by David Byrne. This book is a wonderful blend of personal experience, philosophy, and practical insights about the nature of music. What I love about this book is how it takes an interdisciplinary approach to understanding music—not just as an art form but as a business and a cultural force. Byrne discusses the evolution of music within different societal contexts, touching on everything from the physical spaces we perform in to the economics of the music industry. For me, reading this book shifted my understanding of music as a fluid and ever-evolving ecosystem, and it helped me recognize the importance of context in everything I do, whether I’m DJing, producing, or curating events. It’s reminded me that everything around a performance—whether it’s the venue, the audience, or the vibe—shapes the experience.
On the business side, there’s no book that I would recommend more highly than All You Need to Know About the Music Business by Donald S. Passman. As a DJ and record label co-owner, this book has been an invaluable resource for understanding the intricacies of the business world that directly impact the music industry. Passman breaks down complex concepts like royalties, licensing, contracts, and distribution in a way that is accessible yet comprehensive. I’ve found it to be the definitive guide to navigating the business side of being a creative, especially when it comes to negotiating contracts or managing a team. As someone who is involved in both the creative and business aspects of the industry, this book has been essential for building a solid foundation in managing my own career and business ventures.
Another book that has played a key role in shaping my approach to music and creativity is Dance Music Manual by Rick Snoman. As a DJ and music producer, this book provided me with the technical knowledge I needed to really deepen my understanding of music production and theory. It covers everything from sound design and mixing to mastering and live performance. What’s great about this resource is how it demystifies complex production techniques while providing practical tools for both beginners and seasoned producers. This book has not only helped me refine my skills but also taught me to approach music creation with a more disciplined, technical mindset. In an industry where the line between creativity and business is often blurred, Dance Music Manual gave me the tools to keep my music technically sharp while staying true to my artistic vision.
Lastly, a book that deeply impacted me on a cultural level is Hot Stuff: Disco and the Remaking of American Culture by Alice Echols. This book was an eye-opener for me, not just in terms of understanding the history of disco, but also in recognizing the intersection of culture, politics, and music. Echols does an incredible job of exploring how disco became both a cultural movement and a political statement, especially within the context of race, gender, and sexuality. For me, this book reinforced the power of music to bring about social change. Disco wasn’t just about the music—it was a space where marginalized communities, especially queer and Black communities, could find freedom and expression. This book helped me realize that the work I do in nightlife and in the music industry isn’t just about entertainment, but also about creating a space for social liberation and inclusivity.
Taken together, these books have had a profound influence on my approach to both the creative and business sides of my work. From understanding the broader cultural and historical context of music to developing a practical business strategy and honing my production skills, each book has given me the tools to build a more well-rounded, sustainable career.
Contact Info:
- Website: https://www.sappho.gay
- Instagram: https://www.instagram.com/djsappho/
- Facebook: https://www.facebook.com/MeganSappho/
- Linkedin: https://www.linkedin.com/in/megan-andricos-3ab01b70/
- Soundcloud: https://soundcloud.com/sappho-presents-chingo
Image Credits
Photo #3: Annie C. Evans