We were lucky to catch up with Mary Campbell recently and have shared our conversation below.

Hi Mary, thanks for joining us today. Before we get into specifics, let’s talk about success more generally. What do you think it takes to be successful?

I think success is subjective. I always try to learn new things, stay active, and be present. (easier said than done)! I’ve never been someone to stick with one career. I’ve followed my interests, moved on when things felt stale, and taken risks. Professionally, I’ve worked as a florist, color designer, textile designer, prop stylist, ceramicist, and art teacher. My one constant has been making art. All my work experiences have informed my art practice in ways I never would have predicted. I’m still exploring, and I think I’ll always feel that way!

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

I’m a visual artist working in sculpture, photography and installation. I received my MFA from California College of the Arts in 2023 and my BFA from the University of Oregon in 2014. I’ve attended residencies at Kala Art Institute, Wassaic Project, Vermont Studio Center, Stelo Papermaking, and Open Windows. Most recently, my work was featured in SF Camerawork’s FORECAST exhibition, an emerging photographer’s survey exhibition in San Francisco. I’ve exhibited at Bass & Reiner, Voss Gallery, Incline Gallery, Borderline Art Collective, Littman Gallery, and NAHP Paper Triennial Exhibtion, among others.

My day job is always fluctuating, but most recently I’ve been working as an Art Teacher and Prop Stylist. Both inspire my practice in different ways. As a teacher, I’m always learning from my students. Their questions and explorations become my own. My work as an artist and prop stylist are closely related. In my studio, I’m inspired by the artifice of the set and the theatrics of everyday life. I take staged photographs against seamless backdrops, similar in nature to the ones I tinker with at work. I think what sets the two apart is the reflection, humor, and attitude that I bring to my own art practice. I’m always laughing to myself on the job, jotting down ideas to bring back to my studio.

I’ve gotten to where I am today by trying new things and continuing to make my art. It’s not easy! I have dry spells, and periods where I’m more focused on my work or my family. Despite the challenge of fitting it all in, I don’t think I’ll ever stop making.

What do you find most rewarding about being a creative?

I think number one for me is growth. With each piece I make, I feel like I’m getting closer to the work I want to be making.  The possibility of the next project is what will keep me engaged forever. There’s a reason why I’ve tried numerous jobs but have always continued making art. It will never stop interesting me.

Looking back, are there any resources you wish you knew about earlier in your creative journey?

A few that come to mind are resartis.org (an online artist residency list) and The Big Artist Opportunities List (public excel spreadsheet of artist opportunities including grants, residencies and scholarships). As a stylist I wish I knew to reach out to an agency earlier to get connected. As an artist I wish I knew to find the galleries I liked and attend openings to meet like minded people!

Contact Info:

• Website: www.maryccampbell.com
• Instagram: @maryccampbell & @pancakes_styles