We caught up with the brilliant and insightful Mario Jackson a few weeks ago and have shared our conversation below.
Mario, thanks for taking the time to share your stories with us today How did you learn to do what you do? Knowing what you know now, what could you have done to speed up your learning process? What skills do you think were most essential? What obstacles stood in the way of learning more?
Embarking on the voyage of mastering cinematography has been a reflective and ongoing pilgrimage for me. I find myself continually immersed in the quest for knowledge and deeper understanding of this art form. My path to becoming a cinematographer is known as “the journey man”. This path requires one to go on a journey within the ranks of camera, grip or the electrical department. I began my career as a Local 487 set electrician on notable productions like John Adams (HBO) and A Haunting (Discovery TV), learning power distribution, lighting techniques, and the importance of teamwork. My early mentors such as Jay Kemp, Ray Brown, and Austin Cross, consistently challenged and inspired me to elevate my skills and creativity. Transitioning from my role as a set electrician, I ventured into shooting low-budget music videos, where I had the opportunity to operate camera and develop my cinematic eye, drawing upon the lessons gleaned from my mentors. Cinematography, for me, embodies a lifelong journey of discovery and growth, and I am grateful for the chance to continually learn and collaborate with fellow creatives each day.
Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.
Since I was a kid, I’ve been all about filmmaking. Grandma’s old VHS camera was my first love—I’d shoot everything from family parties to backyard adventures. Nights were spent dreaming up movie ideas, and let me tell you, I practically wore out our Forrest Gump tape studying it. Movies were my education before film school even crossed my mind.
For me, filmmaking is about telling a story authentically. That means syncing up with the director, sharing a vision, and building a solid relationship. I’ve always admired Bradford Young’s approach—he wants to work with directors he can hang out with, forming a real connection beyond the set. While I’ve never met him, I’m totally on board with his philosophy.
Film sets can be chaotic, but I thrive on finding solutions. When problems pop up, I stay calm and get creative to keep things rolling. I’m not just about pretty pictures, I want to help tell a good story.
What do you find most rewarding about being a creative?
One of the most fulfilling parts of being an artist lies in the power to create. It’s a privilege to transform a blank canvas into an image that can deeply resonate with others. Art is the embodiment of expression, a reflection of thoughts, and a canvas for ideas to flourish. As an artist, my aim is to channel these elements and delve deeper into understanding myself and my craft.
How can we best help foster a strong, supportive environment for artists and creatives?
Creativity is what makes the world go around. Inventions such as the camera, cell phones, and cars would not be here if not for creativity. Remember, true creativity often requires time, especially when the outcome is vital for our existence. Therefore, the greatest support we can offer to a creative individual is patience and understanding. After all, great things take time to flourish.
Contact Info:
- Website: https://www.mario-jackson.com/
- Instagram: @_master_u