We were lucky to catch up with Margrethe Aanestad recently and have shared our conversation below.
Hi Margrethe, thanks for joining us today. Are you happier as a creative? Do you sometimes think about what it would be like to just have a regular job? Can you talk to us about how you think through these emotions?
As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?
I am a visual artist born and raised on the countryside just outside the town Stavanger, on the West Coast of Norway. In my practice I work in drawing, painting and sculpture, exploring various materials in an abstract manner. My work is presented in various contexts and spaces, such a galleries, public realm, private and public commissions etc. For many years now I have split my time working and living in both New York City and Stavanger. I felt born an artist, and since I was young I always felt attraction and belonging to creative energy, and people who are artists and makers. For high school I applied to a school with mainly drawing, sculpture, art history and other creative subjects. I was in heaven. Since, the path has been long with some detours, but I am very focused and thrive in the contemporary art field, all though it is a tough business. I dont know where else to be. My current exhibition is Yi gallery in Sunset Park in Brooklyn, NY, that opened March 18., where I show recent and earlier works. I am very grateful for this opportunity, and also all other previous, current and upcoming projects.
And yes, I believe my work sets me aside from others, just because of my own language, focus and expression. I am an independent artist – and I think all individual artists are set aside from others. We are all working on unique and nerdy lifelong, lonely projects that feels personal and that develops, change and varies – and take weird sidekicks along the way. All though, we are finding ourselves connected other artists. I like to think of it as belonging to a family-tree; we have artist-relatives that we connect with more than others, from old to recent art history, and in our contemporary world, based on what we individually are creating and obsessed by. Via, across, through and despite the obvious or unobvious – not necessarily being linear- it is kind of a beautiful chaos.
In your view, what can society to do to best support artists, creatives and a thriving creative ecosystem?
Invest in art! You do not have to be a famous and professional collector to do so, and you dont have to buy expensive pieces. Buy art that suits your pocket, buy from the heart, and buy art before a pair of jeans or that sofa. Surround yourself, immerse! Then you will notice how great it is to be around art.
For you, what’s the most rewarding aspect of being a creative?
Moments when I feel my heart beat a bit faster and I just know that the art speaks with me, but it is hard to express in words, what exactly that is. It´s when you know art is powerful and nothing can replace it, it´s transcendental. It can be happening while experiencing another artists else’s work, or while making my own and experience a magic moment.
Contact Info:
- Website: www.margretheaanestad.com
- Instagram: https://www.instagram.com/margretheaanestad/
- Facebook: https://www.facebook.com/margrethe.aanestad/
Image Credits
Daniel Johnson Jan Inge Haga Alexa Hoyer