We were lucky to catch up with Malado Francine recently and have shared our conversation below.
Malado, looking forward to hearing all of your stories today. Did you always know you wanted to pursue a creative or artistic career? When did you first know?
I have always been an artist, from an early age. Growing up in West Africa, I was always surrounded by creativity both at home and in community. The colors of textiles, the jewelry, art, music, languages, etc– I don’t think it would have been possible for me not to be an artist!
Malado, before we move on to more of these sorts of questions, can you take some time to bring our readers up to speed on you and what you do?
Being an artist is not a singular thing. My work over the past thirty years encompasses drawing, painting, film, sculpture, books, as well as writing, curating, teaching, and collaborative projects.
Can you share a story from your journey that illustrates your resilience?
I think being an artist requires fortitude on multiple levels– surviving and thriving in a world that typically values products over visions, and monetary gain over spiritual growth.
I have a very recent story of resilience… On January 31st 2024, while I was traveling with family in Senegal, my home and studio burned. A fire which had started in a neighbor’s yard crossed the fence to our duplex apartment building. Luckily nobody was home, but my upstairs neighbors lost their beloved cat. Downstairs, much of my thirty-year inventory of artworks, which I had carefully stored in my back bedroom, and my personal belongings, were destroyed by fire, smoke, and water.
What had started as a tragedy, however, has become a story of community, support, and resilience.
Soon after the fire, torrential rains started in Los Angeles. People gathered to help me pull what we could save from the apartment, and remove artwork from piles in the yard where the firemen had tossed things from the burning building. The first week I slept on a friend’s couch in the neighborhood, and another college friend came down from SF to help.
After experiencing a trauma like this, your brain is scattered, and it can be confusing and even overwhelming to prioritize tasks. In the days that followed, more friends, neighbors, and my Aunt helped me move my remaining belongings into a Uhaul, then a storage unit, and other friends visited from out of town to help me move into a temporary air b+b, and a studio space, where I began salvaging work.
Art friends all over the city spread out my charred notebooks and wet works on paper to dry them in their studios, placing paper towels between the book pages, and drying them with fans and hairdryers, returning them to me weeks later.
Going through what people have saved for me has been the greatest gift. When this all happened, it was such a chaotic moment- that I did not even know what I had that had survived the fire. So, each piece that has been salvaged is a huge relief, a memory remembered, an act of labor and love restored.
How does one maintain optimism through a period of tragedy and loss? Much of it has to do with community- feeling seen, heard, and supported. Even though I have gone through something unimaginable to most, I have not felt alone through any of it. At a recent group show about work made by fire at Bermudez Projects in LA, we spoke about resilience and loss. I believe it can be in community that we help to heal each other.
The other half of the story, which is less shared, is about daily practice, meditation, acts of kindness to oneself and others, and marking the moments through the process of writing and art. I have just started making new work in my new studio. The walls and floors are mostly dedicated to sorting through damaged work, but there are seeds sprouting in the rubble. I am, after all, not just what I have done already, but what I am doing now– and what I will do in the future.

What do you think is the goal or mission that drives your creative journey?
I think that true artists are channels for spirit, acting as conduits of cultural ideas and channels of thought, even inventors of possible futures.
Recent paintings, like ones you see here (and which were saved from the fire), have elements of damage which now add an interesting “finish” to the work. The paintings are about “empathy” and how we witness ourselves and others in the overwhelm of the digital age. The work now takes on greater levels of significance post-fire. I thought it would be interesting to share them with you here.

Contact Info:
- Website: www.maladofrancine.com
- Instagram: @malado_francine
- Facebook: maladofrancine
- Linkedin: malado-francine
- Other: Vimeo: https://vimeo.com/maladofrancine Film Freeway: https://filmfreeway.com/MaladoBaldwin
Image Credits
photo of the artist by Joey Jovanovich artwork photos by Hayley Quentin
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