We recently connected with Maegan Philmore and have shared our conversation below.

Alright, Maegan thanks for taking the time to share your stories and insights with us today. Did you always know you wanted to pursue a creative or artistic career? When did you first know?

The first time I knew I wanted to pursue a creative path professionally was during a quiet evening at home, watching Steel Magnolias with my dad. It was a simple, yet profoundly significant moment. As the credits rolled, I found myself fixated on the various roles listed, particularly the UPM (Unit Production Manager). I had no idea what a UPM did at the time, but I knew I wanted to be involved in creating something as impactful as what I had just watched. The funeral scene with Sally Field blew me away.

Later on, I discovered Toni Morrison, not just as an extraordinary author but as an activist with her art. Her ability to shape narratives and give voice to stories that needed to be told resonated with me deeply. It was inspiring to see how powerful storytelling could be in its various forms.

When I got to college, my path became even clearer. The more I immersed myself in film, TV, and literature, the more I realized that this was not just a passing interest—it was my calling. The combination of that moment with my dad, my admiration for Toni Morrison, and the opportunities I encountered in college solidified my decision to pursue a creative career. It wasn’t just about making art; it was about creating experiences that could move, inspire, and challenge people in the same way that Steel Magnolias had moved me.

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?

For those who might be meeting me for the first time, my name is Maegan La Trese Philmore, and I’m a dedicated film and TV producer, director, and activist. My journey into this industry began with a deep passion for storytelling and a desire to bring compelling narratives to life on screen. From a young age, I was captivated by the behind-the-scenes work that goes into creating a film or TV show, and that curiosity naturally led me into producing. My production company Hudson Philmore specializes in womanist, queer, BIPOC, all abilities & sizes unscripted and scripted content. Hudson Philmore wants to make stories that challenge the exclusion in Hollywood the same way Angela Davis challenges the prison industrial complex.

As a producer, I pride myself on being the real deal when it comes to logistics and budgeting. I’m not just about the creative aspects—I’m heavily involved in the nuts and bolts of production. Whether it’s managing complex budgets, coordinating schedules, or ensuring every aspect of a project runs smoothly, I’m there every step of the way to make sure that the vision is realized without any hiccups.

What sets me apart is my holistic approach to production. I don’t just focus on one aspect; I see the bigger picture and work tirelessly to ensure that every element of a project aligns perfectly. I’m passionate about solving problems, whether it’s finding innovative ways to stretch a budget, overcoming logistical challenges, or ensuring that the final product resonates with audiences.

In addition to my work in film and TV, I’m also deeply committed to activism. I believe in using my platform to advocate for important social issues and to amplify voices that need to be heard. My work is not just about entertainment; it’s about making a difference.

Looking back, are there any resources you wish you knew about earlier in your creative journey?

Looking back, there are definitely resources I wish I had known about earlier in my creative journey. The film festival circuit community, women in film organizations, and BIPOC spaces have all been instrumental in my growth, providing invaluable support, connections, and opportunities. These communities are not just resources; they are networks of like-minded individuals who share the same passion and drive, and they have been vital in helping me navigate the challenges of this industry.

For you, what’s the most rewarding aspect of being a creative?

What I’m most proud of in my career is the ability to consistently bring authenticity and freedom of spirit to everything I do. As a producer, director, and activist, my creative work finds its roots in the belief that storytelling should not just entertain, but also challenge, inspire, and provoke thought. I am proud of the projects I’ve been a part of that have done just that—projects that have resonated with audiences on a deeper level and have left a lasting impact.

One of the main things I want potential clients to know about me and my work is that I am deeply committed to the craft of production. I’m not just involved in the glamorous parts; I’m hands-on with the logistics, budgeting, and all the nitty-gritty details that make a project come to life. My brand is built on the foundation of meticulous attention to detail, creative problem-solving, and a passion for storytelling that is as authentic as it is impactful.

I also want people to know that my journey is driven by a mission to maintain the freedom and authenticity of spirit. In every project, I strive to stay true to this ethos, ensuring that the stories I help bring to life are reflective of diverse voices and experiences. This commitment to authenticity is what sets my work apart and is something I am deeply proud of. Looking forward to seeing audiences reactions to the upcoming documentary about “The Lady Chablis” and the short film Soul Tie.

Contact Info:

• Website: https://maeganphilmore.com
• Instagram: @hudsonphilmore
• Linkedin: https://www.linkedin.com/in/maegan-la-trese-philmore-7727b1a/

Image Credits

Lounge Booth
She Touched
Jessica Schilling
Shara Talia Taylor
Something Latina