We were lucky to catch up with Lanyi Gao recently and have shared our conversation below.

Lanyi , looking forward to hearing all of your stories today. When did you first know you wanted to pursue a creative/artistic path professionally?

In 1989, Chinese feminist artist Xiao Lu fired two shots at her installation, ‘Dialogue,’ at the National Art Museum of China, challenging toxic Chinese masculinity and feudal society. It took 29 years for those shots to impact me, awakening a dormant passion to become a Chinese feminist artist.

During my ninth year in Shanghai, I encountered Xiao Lu’s performance through archived records, prompting reflection on the enduring struggle of Chinese women against male dominance and traditional stereotypes. In the past,I had internalised societal norms, feeling ashamed to speak about the harm inflicted by men. But Xiao Lu’s post-gunshot emotions made me resonate—conflict in love, silenced by social opinions, and a breakdown in communication between genders.

Those two shots catalysed my decision to pursue fine arts at 27, rebelling against societal stereotypes for women. Against the societal backdrop where my peers were entering the realms of marriage and parenthood, I chose New York to embark on my journey as a feminist artist.

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

I’m a visual artist passionate about fostering constructive dialogues based on shared female experiences. Currently based in New York City, I find inspiration by reflecting on my background as an East Asian/Chinese woman. I delve into the exploration of traditional feminine roles in society and their connections to cultural and socio-political history.

Through my artistic practises, I examine and challenge the prevailing male gaze, aiming to cultivate female solidarity and empowerment. In my latest series of paintings, titled ‘Greeting Cards,’ I explore the delicate balance between righteousness and sarcasm. By painting My Melody, a 1990s cartoon character by the Japanese company Sanrio, I infuse my cultural perspective into the portrayal of female power.

For you, what’s the most rewarding aspect of being a creative?

To influence and assist my community, I believe that an artist’s primary obligation is to convert social responsibility into the language of art. With our affluence and education, we have a significant obligation to produce art that has an impact.

Are there any books, videos, essays or other resources that have significantly impacted your management and entrepreneurial thinking and philosophy?

Nanfu Wang’s documentary, “One Child Nation,” profoundly influenced my artistic journey. It made me recognize that delving into the truth and pain of my own experiences provides the essential power to create works that truly resonate with the audience.

Contact Info:

• Website: lanyigao.com
• Instagram: thereisachestnut

Image Credits
Portrait Photo By Nicky Xu