Alright – so today we’ve got the honor of introducing you to Kyle Lamont. We think you’ll enjoy our conversation, we’ve shared it below.
Hi Kyle, thanks for joining us today. Can you talk to us about a project that’s meant a lot to you?
My focus as a music journalist and podcast producer is concert culture and Concert Cast is my rockumentary podcast network dedicated to live music storytelling and helping people connect more deeply with their concert communities.
Our long-form rockumentary podcasts blend music journalism, personal anecdotes, and live music to create audio pieces that make you feel like you’re right there with me—in the front row, backstage, or even in a she-shed turned festival headliner greenroom.
After years of visiting venues and sharing stories from venue owners, musicians, fans, and industry insiders, I noticed a gap in how live music is discussed. That’s why I am launching a new video podcast chat show—to spice up the music commentary podcast space with fresh energy and perspective.
In 2023, I moved from Maine to Los Angeles and threw myself into the city’s music scene. I wanted to be part of it, to absorb the layered, nuanced energy that made LA’s scene unlike any other. I put long-form storytelling on hold, focusing instead on experiencing it firsthand, both emotionally and analytically.
Then, everything clicked after a jaw-dropping Feist show at the Belasco. After months of concerts and deep observation, I knew exactly how I wanted to contribute as a journalist, producer, and developer—by creating a video podcast chat show that celebrates live music venues while amplifying musicians.
The premiere episodes feature a diverse lineup of guests, including a touring musician, USC Annenberg grads, and an erotic author, each offering a unique take on music as a shared experience. The series also highlights iconic venues like the Troubadour and Zebulon.
I’ve been hard at work bringing this chat show to life from the original CBS Studios, now NeueHouse—an ultimate pinch-me, is this real? moment. Creating a chat show in a space with such a rich history of radio performances and broadcasts is both surreal and inspiring.
Like any self-funded project, it has had its ups and downs, but my 15 years of producing and editing experience, along with my curiosity and love for live music, have kept it moving forward.
In collaboration with my team of top-tier creatives, we are setting a new standard for music commentary and rockumentary storytelling. Creating this video podcast in a city that drives global trends makes it even more meaningful because we are building something that will change the way people engage with concert culture.
Awesome – so before we get into the rest of our questions, can you briefly introduce yourself to our readers.
I got into music journalism and production by following my curiosity. From writing for a local newspaper in coastal Maine as a high school student to earning a four-year Guy P. Gannett journalism scholarship at the University of Missouri, I’ve always been obsessed with the why and how—the process behind the story and the adventure it takes you on.
While in college, I got my start in the music industry the hard way—scrubbing puke from urinals after a heavy metal show at a local venue. It was a formidable introduction, but it led me up the ranks to assisting the talent buyer, giving me a front-row seat to the chaos and magic of live music. Oh, the stories I could tell about the bands I shuttled around in my Subaru before and after their sets. That experience opened my eyes to the intricate world of a music venue—the passion, grit, and countless moving parts behind making one night of magic happen. I knew I had to explore it further, both as a fan and a journalist.
After graduating—despite the 2008 market crash—I moved to NYC to see concerts every night and try to work at MTV. When no one was hiring, I created my own web series. A longtime mentor loaned me his Canon XL1, and before content creators and mobile devices took over, I was hauling that giant camera to concerts, interviewing bands and fans. It was equal parts scrappy and cheesy, but the core principles of journalism remained. That web series took me to Europe and Jamaica, covering musicians on tour and reggae festivals.
That hands-on experience led to a career in production—working as a branded content producer for major corporations, debuting a series at Sundance, and making award-winning short films that premiered at BFI in London. Podcasts became a natural next step, sharpening my storytelling without visuals.
Today, I’m a multi-hyphenate creative, helping clients bring ideas to life through video, photos, podcasting and live events. My love for media and live music made the move to LA a no-brainer—where I’m producing Concert Cast and finding new ways to contribute to the multimedia scene.
I’m most proud of building Concert Cast, a network of 50+ rockumentary podcasts—live music stories unlike anything else on the market. Being recognized by Spotify as an Editor’s Pick in 2022 was unexpected but rewarding. The amount of reporting, writing, and editing I’ve done as an independent producer—not a big production studio—is something I take pride in.
The possibilities are endless, especially in LA, where I have the chance to collaborate with other creative entrepreneurs, exchange ideas, and bring Concert Cast to new heights.
We often hear about learning lessons – but just as important is unlearning lessons. Have you ever had to unlearn a lesson?
For a long time, I wore perfectionism like a badge of honor. My mindset was simple: if I’m creating something, I want it to be great—because, let’s be honest, most of the time, we don’t revisit what we’ve made. So why not take the time to make it perfect?
Then, during a conversation with a producer, they casually mentioned that “perfectionist” is often code for someone they’d prefer not to work with. That rattled me. I had always thought of perfectionism as a good thing—proof of dedication and high standards. But the more we talked, the more it made sense.
Especially in media and podcasting, the ability to move fast, make broadstrokes, and not get too attached to the outcome is essential. Perfectionism, on the other hand, can slow the process down and kill the immediate spark of creativity.
Now, I’m working to unlearn the idea that perfectionism is a strength. Instead, I’m embracing momentum—trusting that broadstrokes and iteration lead to better work in the long run. There’s a real freedom in keeping things moving forward.
Are there any books, videos or other content that you feel have meaningfully impacted your thinking?
While in Las Vegas, producing a story about my quest to see Phish at Sphere, (you’ll have to hear the podcast to find out!) I stayed at an Airbnb off the Strip. In the bookcase, I found Advice Not Given: A Guide to Getting Over Yourself by Mark Epstein. The first line pulled me in, but I didn’t fully dive into it until I got back to LA and bought my own copy.
The book explores the intersection of psychology and Buddhism, using the Eightfold Path to examine ego and mindfulness. Epstein’s way of connecting the dots felt like seeing the world through a new lens—like experiencing it for the first time. I saw myself differently and recognized how deeply attached I was to both my work and my life. As someone naturally curious about music and human experience, it reframed meditation as just that: curiosity about how the mind works without believing everything it thinks.
Moving to LA—a city known for new-age thinking and meditation—made these realizations feel like a rite of passage. Leaning into Buddhism has helped me detach from outcomes and focus more on the art of concentration. Learning to direct my attention without being at the mercy of ambition has reshaped how I approach creative projects.
Ultimately, this shift has made me a better journalist and storyteller—a 2.0 version, more present, more empathetic, and more attuned to the deeper emotions that enrich every story. A constant work in progress, of course, but reading Epstein’s insights on the stories we tell ourselves and the freedom that comes from letting go has been eye-opening. It’s a reminder to stop clinging so tightly—and just be. Just make.
Contact Info:
- Website: https://concertcast.live
- Instagram: https://www.instagram.com/kyle_lamont/
- Linkedin: https://www.linkedin.com/in/kylelamontproducer/
- Youtube: https://www.youtube.com/@concertcastpodcast
- Other: Apple Podcasts:
https://podcasts.apple.com/us/podcast/concert-cast-rockumentary-podcasts-exploring-concert/id1437457725Spotify Podcasts:
Multi-Media Production Company:
https://goodtogostudios.com
Image Credits
David von Blohn
Sophia Domina