Alright – so today we’ve got the honor of introducing you to John “MDMN” Moody. We think you’ll enjoy our conversation, we’ve shared it below.

John “MDMN”, appreciate you joining us today. Can you talk to us about a project that’s meant a lot to you?

I’ve had a few mural projects throughout the years, such as schools & community centers that have meant the world to me because of the profound sense of community they foster and their ability to empower the youth with energy and strength. These projects go beyond just throwing color on a wall; they become powerful tools for social change and inspiration.

These projects had the remarkable ability to empower and energize the youth. By involving the community in the creation process, these projects provide a platform for self-expression, creativity, and personal growth. Whether it was the community having input on what colors they loved vs answering questions from students about why I do what I do, there’s a sense of ownership and responsibility within myself, fostering their confidence and leadership skills. The imagery and stories within my works aim to channel their energy into something positive and meaningful, creating a lasting impact on both myself and the community.

Furthermore, these art projects often tackle important social issues and promote positive messages. They can address themes like equality, justice, environmental sustainability, and mental health, raising awareness and inspiring conversations within the community.

Ultimately, the meaningfulness of these murals lies in their ability to strengthen community bonds, provide a voice for the youth, and inspire positive change. They serve as vibrant reminders of the power of art to transform lives, uplift spirits, and create a sense of unity, making your connection to them even more profound.

John “MDMN”, before we move on to more of these sorts of questions, can you take some time to bring our readers up to speed on you and what you do?

I am an artist, muralist, graphic designer and curator from Phoenix, Arizona. My works range from large scale 100ft outdoor murals, to graphic illustrated movie posters, fine art canvas and more. My work and energy is almost always focused on empowerment, strength, and positivity using a certain color theory, sharp lines and comic-like imagery.

How about pivoting – can you share the story of a time you’ve had to pivot?

Within the last year a huge change and pivot for myself, along with my wife, was closing our store, which was a small art gallery and a collection of 60+ artists goods, and then in turn moving into a communal art studio.

As the owner of Eighty Seven Shop, we had the opportunity to showcase and sell art, curate exhibitions, and engage with artists and art enthusiasts. However, we quickly realized that the shop had limitations in terms of fostering a deeper connection and collaboration among artists, as well as logistics such as location and landlord issues.

Transitioning to The Grand Arthaus art collective involves creating a space where artists can come together, share resources, collaborate, and support one another’s creative journeys. The focus of the studio is about building a vibrant and inclusive artistic community. Artists in the studio can inspire and learn from one another, exchange ideas, and collaborate on projects. This collaborative environment fosters a sense of camaraderie and provides opportunities for artistic growth and experimentation.

In the Arthaus we are constantly developing strategies to create a sense of community through events and gatherings to foster an atmosphere that encourages artistic exploration and dialogue. The transition has been both challenging and rewarding. It has allowed us to shift our focus from solely commercial aspects to fostering a deeper connection with artists and nurturing each other’s growth.

Can you share a story from your journey that illustrates your resilience?

One instance in particular, a mural in Phoenix required a boom lift to reach the top. As I was painting the very top (about 6 stories up) the lift engine battery died. After yelling down to my wife to get help, I was left in silence, in a swaying little cage 90 feet in the air, pondering if art is really worth this kind of anxiety. Thankfully we were able to lower myself down and eventually charge the lift back to up and running. I definitely moved a lot more cautious after that. And ever since then it’s a small personal fear of mine to step into lifts or even onto tall scaffolding. But I love it.

Contact Info:

• Website: www.mdmnshop.com
• Instagram: @madmanart
• Twitter: @MDMN__
• Youtube: MDMNVids5137