Alright – so today we’ve got the honor of introducing you to Jinghong Chen. We think you’ll enjoy our conversation, we’ve shared it below.

Hi Jinghong, thanks for joining us today. How did you learn to do what you do? Knowing what you know now, what could you have done to speed up your learning process? What skills do you think were most essential? What obstacles stood in the way of learning more?

I work primarily with paper-cutting and artist’s book making. I learned paper-cutting as a kid growing up in southern China. It was a part of our daily life. In terms of book making, I learned some basic techniques in college and my internship at a bindery. Naturally I started to combine paper-cutting with my role as an illustrator and book artist and tell stories through this art form.

Looking back, I can’t help but think about how much my work could have grown if I had learned laser cutting earlier. Hand-cutting has its own charm, but incorporating laser cutting has been a game-changer for me. It not only expedites the execution process but also allows me to explore more experimental choices and push the boundaries of my work, breaking through conceptual barriers in exciting ways. Beyond mastering the technical skills, I believe the most important aspect is actually the ability to think spatially, especially with a flatter material like paper.

My greatest challenge right now is breaking out of my comfort zone. I’ve grown quite comfortable with my current creative process, and to be honest, sometimes I find myself avoiding the need to think or experiment. This is my greatest fear. So, these days, I’m actively pushing myself to seek ways to innovate and improve. My ultimate goal is to create artworks that not only satisfy my artistic vision but also resonate with the viewers.

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

Hi! I am an illustrator and book artist from southern China. My artistic practice revolves primarily around cut papers. I make a lot of tunnel books which allow me to create immersive and inviting spaces through layering techniques. In addition to papers, I have also been applying the same cut out methods to materials like felt and clay. Conceptually, my work delves into the shared experiences of the Chinese diaspora including navigating the intricate state of limbo between the East and the West, reality and illusion.

I tell stories for myself and my clients, whether it is for an short article or a children’s book script. My unique visual language set me apart as an artist. What I’m most proud of is how naturally and seamlessly I integrate my cultural heritage into my work, thanks to the nature of paper-cutting and my distinctive ways of narrating. An ideal project for me will be something that explores the themes of identity, belonging, and nostalgia. In essence, my art is a reflection of my roots, and I look forward to sharing more captivating stories through my art!

What do you find most rewarding about being a creative?

I believe it’s when my artworks resonate with the audience, whether it’s an individual or a group, in the present or even in the future.

I find great strength and inspiration from fellow creatives, especially during moments of uncertainty. Their support carries me through difficult times and provides guidance when I’m feeling lost. To me, that’s the true power of art. Therefore when I hear stories about others connecting and resonating with my creations, I deeply feel the significance of what I do. It makes me realize that my artworks truly exist. This, to me, is the greatest gift of being an artist.

Any resources you can share with us that might be helpful to other creatives?

I recently discovered that there are many useful websites and organizations online. For example, NYFA (New York Foundation for the Arts) is a great organization where you can find so much information about artist residencies, awards, and scholarships. If you live in the New York area, they also organize some in-person events. Other similar websites include CaFÉ (Call for Entry), Hyperallergic, and of course Canvas Rebel, which also offer free resources and insights in the art industry.

Contact Info:

• Website: jinghongchenart.com
• Instagram: @jinghongart