We recently connected with Imani Latifah and have shared our conversation below.
Imani, thanks for taking the time to share your stories with us today Are you happier as a creative? Do you sometimes think about what it would be like to just have a regular job? Can you talk to us about how you think through these emotions?
Being a creative—especially one focused on Black women, history, and commerce through the arts—is challenging. It takes a constant fight to maintain stability, and at times, I consider getting a more traditional job in my field. However, opportunities in my area are limited, and I’ve come too far to give up on my vision for these exhibitions.
My next steps include teaching and adding merchandise to the project, but no matter what, I keep pushing forward. In today’s world, financial security isn’t guaranteed—unless you have major funding, like a Fulbright or another substantial grant. It’s possible, but it requires relentless effort. You have to find ways to fund your dream.
I’ve managed to do that, but moving forward, I need greater financial stability as an artist. And that’s okay. It’s okay to do both—work a 9-to-5 while building your creative career. Eventually, when your art fully sustains you, you can dedicate yourself to it completely. Until then, balancing both is part of the journey.
Awesome – so before we get into the rest of our questions, can you briefly introduce yourself to our readers.
If you’re just meeting me, my name is Imani Warren. My exhibition, Black Beauty as an Act of Resistance, explores Black women and beauty culture—how they built and sustained their own businesses, properties, schools, and homes, all while funding major movements like the Civil Rights Movement and supporting young people in their pursuit of higher education.
I originally pursued my undergraduate degree in African American Studies and later earned a graduate degree in Film. My first love is filmmaking, and I continue to produce documentaries. While that might be considered my “day work,” I am passionate about combining documentary storytelling with curated exhibitions and immersive experiences.
If there’s one thing I want my audience to know about me, it’s that I care deeply about Black women and Black history. I believe Black history belongs to all of us—because when you understand your past, you can better navigate your future.
Let’s talk about resilience next – do you have a story you can share with us?
My journey is filled with stories of triumph, resistance, and resilience. As an African American woman, there are times when you feel unseen and overlooked. You have to work hard to get people excited about your work, your story, and how it connects to them—to make them care. That’s not always an easy task, but it is a doable one.
I remember a time back in my hometown of Philadelphia when I had a job interview at a marketing agency. They told me I was the right fit for the position, but there was a condition—I would have to change my hair. My natural hair didn’t align with the look they wanted for their clients. I had never experienced that kind of discrimination before, but in that moment, I knew that space wasn’t meant for me.
So I simply said, “Thank you for the opportunity, but I’m going to take my leave. Have a great day.” Because when it comes to who you are—who God made you to be—there is no compromise. Even though I really wanted that job, I knew it wasn’t the right opportunity for me. And sure enough, something greater came along soon after.
What’s the most rewarding aspect of being a creative in your experience?
The most rewarding part of being a creative—especially with my current exhibition—is witnessing the reactions of my guests. People from all backgrounds, colors, and walks of life see my work and are reminded of their families—their mothers, grandmothers, children—and the intimate, joyful moments they’ve shared with loved ones.
When that happens, every late night, every challenge, and every sacrifice feels worth it. For that, I am deeply grateful.
Contact Info:
Image Credits
Imani L Warren M.A.