We were lucky to catch up with Ieva Baltmiškytė recently and have shared our conversation below.
Alright, Ieva thanks for taking the time to share your stories and insights with us today. Can you talk to us about a project that’s meant a lot to you?
My most meaningful project to date has undoubtedly been the creation and performance of ‘Requiem for a Glacier.’ This composition was inspired by a profound experience during my participation in the Arctic Circle artist and scientist residency, where I sailed around the Svalbard archipelago on the tall ship Antigua.
In the Arctic, where the impacts of climate change are starkly visible, I witnessed the undeniable effects of retreating glaciers, massive ice calvings, and changes in wildlife behavior. Blomstrandhalvøya, once considered a peninsula, unveiled itself as the Blomstrandbreen glacier receded—a symbolic representation of the environmental transformations occurring in the region.
Motivated by this poignant experience, I channeled my emotions and reflections into ‘Requiem for a Glacier.’ This composition serves as an artistic response to the urgent environmental issues plaguing the Arctic, encapsulating the struggle against climate change, pollution, and human aggression. It echoes the profound lessons learned during my Arctic expedition.
The culmination of this project took place on the floating ice sheet and the glacier itself. Performing ‘Requiem for a Glacier’ in the heart of the Arctic landscape added a unique dimension to the composition. The floating ice sheet became my stage, and the glacier, once a stoic presence, now echoed with the emotional resonance of my music.
This performance was not just a musical expression; it was a deeply immersive experience, a dialogue between art and nature. The floating ice and the glacier, bearing the scars of climate change, became integral collaborators in conveying the urgency of environmental conservation. ‘Requiem for a Glacier’ isn’t merely a composition—it’s a sonic plea, a call to action, and a tribute to the delicate ecosystems struggling in the face of global challenges.
I take immense pride in this project as it represents a fusion of my artistic expression with a powerful environmental message. Through ‘Requiem for a Glacier,’ I aim to create an emotional connection that transcends borders, inspiring individuals to reflect on the pressing issues of our time and take collective action to protect our planet.
This composition, amongst others, will soon be released by the “Plaza Mayor Company” record label.
Ieva, love having you share your insights with us. Before we ask you more questions, maybe you can take a moment to introduce yourself to our readers who might have missed our earlier conversations?
My name is Ieva Baltmiškytė, and I am a Lithuanian guitarist, lutenist, and composer currently residing in Brussels.
I hold four master’s degrees in guitar performance, early music, and music pedagogy. My music journey began at the tender age of 6, on the guitar of my mother. My formal education began at the Lithuanian Academy of Music and Theatre, where I studied under the guidance of Julius Kurauskas. During this time, I also delved into composition studies with one of Lithuania’s prominent composers, Rytis Mažulis, fostering a more comprehensive approach to my musical education.
Continuing my pursuit of excellence, I further honed my skills at the Royal Conservatory of Brussels, studying with internationally acclaimed musicians Antigoni Goni and Xavier Diaz Lattore. This diverse education has allowed me to specialize in a wide range of instruments, including Renaissance and Baroque lute, Renaissance and Baroque guitar, vihuela, classical guitar, and 11-string guitar.
Being a versatile musician has granted me the privilege of performing in various countries, including Germany, Belgium, Italy, Austria, Ukraine, France, Switzerland, and Japan.
I find immense joy in connecting with audiences globally, sharing my passion for classical music and its transformative power. Whether through performances, compositions, or educational initiatives, my goal is to inspire and resonate with people on a profound level.
What do you find most rewarding about being a creative?
The most rewarding aspects of being an artist are multifaceted and deeply fulfilling. Firstly, there’s the joy of self-expression and the ability to convey emotions, thoughts, and experiences through my art. It serves as a deeply personal outlet for creativity, allowing me to articulate myself in a distinctive and meaningful manner. Equally rewarding is the impact art can have on others. Witnessing how my work resonates with audiences, evokes emotions, or sparks contemplation creates a profound sense of connection. Art has the incredible ability to inspire, provoke thought, and forge bonds between individuals.
The continuous journey of growth and self-discovery is another gratifying dimension. As an artist, I am constantly evolving, exploring new techniques, and pushing the boundaries of my creativity.
Can you share a story from your journey that illustrates your resilience?
It’s difficult to choose one story, but my journey was marked by countless hours of practice, refining technique, and seeking out mentors. Competitions and encounters with accomplished musicians became milestones, each critique an opportunity for growth. Setbacks and doubts only fuelled my determination to overcome.
The road to where I am now was not without its challenges. Technical hurdles loomed large, and self-doubt occasionally cast shadows. Yet, I viewed each obstacle as a chance to elevate my skills. Embracing a philosophy of continuous learning, my journey has been characterized by a resilient dedication to honing my craft and an unwavering passion for the art of music.
Contact Info:
- Website: https://www.ieva-baltmiskyte.com
- Instagram: https://www.instagram.com/ievabaltmiskyte/
- Facebook: https://www.facebook.com/ieva.baltmiskyte/
- Youtube: https://www.youtube.com/c/IevaBaltmiskyte/
Image Credits
Tom De Beuckelaer Alexander Heilner (two Arctic photos) No credit needed for the photo in black