We’re excited to introduce you to the always interesting and insightful George Gadson. We hope you’ll enjoy our conversation with George below.

Hi George , thanks for joining us today. Let’s jump back to the first dollar you earned as a creative? What can you share with us about how it happened?

First Dollar Earned as a Creative

At George Gadson Studios our guiding principle is captured in the hashtag: #creatingartwithpurpose. It’s more than a tagline—it’s a truth that has shaped every step of my journey as an artist.

In my early days, I participated in several art fairs in Tampa. I’ll never forget selling a small painting there—it was the first time I ever earned a dollar through my art. That moment was meaningful, but what happened next truly opened my eyes to the impact art could have.

In 1991, I created a 30″ x 40″ painting titled “Unspeakable Joy” and donated it to a fundraiser supporting relief efforts in Haiti. The piece sold at auction for $2,000. That sale was more than a financial success—it was the moment I thought,
“Maybe I really am an artist.”

Later, I had a print made from the original and donated it to a nonprofit for a silent auction. I didn’t think much more about it—until many years later, when I was consulting with a couple who were starting their own business. During our conversation, I mentioned that I, too, was a small business owner and shared a bit about my path into art as my business.

The woman looked at me and said, “I think I have one of your paintings.”
It turned out she had the print from that silent auction.

When I asked how she came to own it, she told me that at the time of the auction, she was going through a very difficult period in her life. A friend had invited her to the fundraiser. She saw “Unspeakable Joy” and felt deeply drawn to it. As the event ended, the Director approached her with the print in hand and said simply, “This belongs to you.” She broke down in tears—recognizing it as a turning point in her life.

The Director later emailed me to say how moved the woman had been. I’ve never forgotten that message.
Fifteen years later, that same woman was sitting across from me in my office, now a business owner, sharing her story. She looked at me and said, “You have to keep doing this—your art is from God.”

“Hello, My Name is Tracey.
In 1998 I found out I was HIV positive and had ovarian cancer, I was terrified. I had just found the love of my life and I had, no choice but to share this new information; I was scared. I also needed to let my 70-year-old Mom know and my immediate family. I went into a black hole for a few years looking for I don’t know what… pity, support, care.
I started working for one of the largest HIV agencies in Florida (Center One); I was a driven workaholic, this helped ease the pain, and oh yes, a backslider of the gospel, so I thought I deserved it. I’m no better to GOD, living in sin.
In 2000 my job had annual events. On this certain year the Center gave a fashion show auction dinner; one of my dear friends played a great part, so I went to support the event. At the auction there were all types of expensive items, jewelry, clothing and art. I fell in love with this painting of this old woman sitting on the bench; It is called “Unspeakable Joy,” of course I couldn’t afford it. At the end of the evening, the coordinator of the event walked up to me and said, ‘You can have the painting of the old lady on the bench.’
I can’t explain even now as I write, my soul wells up with tears. I just started balling, it was like a release. One, it pulled me back into focus on God and that I can talk with him, the invisible God of the world cares. The overwhelming feeling of hope arose in my conscientious mind. Thank you, Lord
2015 I still have the “Unspeakable Joy” hanging in my living room. My life is so different. I was to meet with a Mr. Gadson, we played phone tag a few times; and at our meeting it became apparent that this is the same G. Gadson who painted “Unspeakable Joy” and I the young lady who was blessed to have experienced a divine intervention, I believe that helped with saving my life and giving me hope to live again. The meeting was one of the most anointed by God.
Mr. Gadson and family, thank you for not stigmatizing me, you welcomed me with the open arms of the love of God.
God Bless you always
Tracey S.

I was moved to tears. That very morning, I had written my mission statement:
“Reaching the world for Christ through art.”

My degree is a Bachelor of Theology from Duke University; I never knew how I was going to use that particular degree. I always knew it had a purpose; and this is the moment where I knew its purpose; and it’s a moment I will never forget.

Awesome – so before we get into the rest of our questions, can you briefly introduce yourself to our readers.

Creating Art with Purpose

For over two decades, I have been #creatingartwithpurpose—using my art to memorialize, educate, and inspire. My focus has been on public artworks that document the lives and experiences of individuals and communities within the broader context of history and time. Through sculpture, painting, and collaborative installations, I strive to tell stories that matter.
I come from humble beginnings in the small town of Fort Meade, located in Central Florida. From there, my journey took me to Duke University, where I earned a degree in Theology and had the opportunity to study abroad at the University of Valencia in Spain. It was during a demanding career in banking that I discovered art—not only as a form of personal expression but as a calling. That discovery changed the trajectory of my life.

Since then, I’ve had the honor of receiving commissions for significant and meaningful projects. One of the most personal was designing a Christmas ornament for the White House at the request of former First Lady Laura Bush. That same year, I attended the White House Christmas celebration—bringing my mother with me, a moment I will never forget.
Other notable commissions include two South Florida Super Bowl commemorative bronze sculptures—”The Kicker” and “The Quarterback”—which were presented to NFL team owners. These works gained national media attention and helped open the door to what has now been a career spanning more than two decades of creating art.
My work has been exhibited in galleries, featured in major publications, and highlighted on national television. But beyond recognition, my greatest reward has been inspiring others—whether through motivational speaking, mentorship, workshops, or art education.

One deeply meaningful moment came just a few years ago when I was asked to create a special award for NFL Hall of Famer Ray Lewis, born and raised in Lakeland, FL, a town that is located thirty minutes from my home town. That piece was dedicated in Lakeland, FL bringing my journey from Fort Meade full circle.

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Public Art Highlights
Over the years, I’ve been privileged to complete more than 30 public art commissions—ranging from modest yet impactful community pieces to monumental sculptures that anchor public spaces. My goal with each project is to create works that reflect history, celebrate diversity, and foster a sense of unity and belonging.

My public artworks span a wide range of materials, including bronze, ceramic, concrete, glass, aluminum, and stone. Project budgets have ranged from $5,000 to $200,000, but the value lies in the opportunity to tell stories and bring
communities together through creative expression.

Some key examples include:
• The Bridge – A 12-foot bronze sculpture located at a public library, symbolizing connection and passage through knowledge and culture, located at the African American Research Library and Cultural Center in Fort Lauderdale, FL.
• Sankofa Bird – Installed in both Fort Lauderdale and Gainesville, FL., each towering more than feet, draws on African symbolism to encourage reflection on history and inspiration for forward vision.
• Egretta Thula – A graceful 7-foot sculpture located in Tamarac Commons Park, surrounded by native flora and water elements, celebrating the natural environment.

Most recently, I completed “Museum Without Walls: An Ancestral Tribute” in Winter Park, FL—a $200,000 commission that includes four bronze busts of local trailblazers, a history-telling wall, sculptural elephant tusks, an illuminated welcome sign, and a landscaped reflection area. It stands as a powerful tribute to legacy, identity, and place.

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Beyond the Studio
In addition to my studio practice, I serve as a consultant and project manager for Art in Public Places (AIPP) programs. My experience spans from developing master plans to overseeing fabrication, installation, and all aspects of project coordination. With nearly 30 years of combined artistic and administrative experience, I bring a comprehensive understanding of public art—balancing vision, logistics, and community impact.

How did you build your audience on social media?

A Curated Approach to Social Media
Social media is an essential part of my business—and I wouldn’t be where I am without it. That said, my approach may differ from what many would expect, and it’s certainly not the typical formula.
I’m not interested in amassing thousands of followers. Instead, I focus on cultivating a smaller, more intentional audience—people who are genuinely aligned with my work, values, and creative mission. I receive many friend requests and meaningful introductions through my network, often from individuals who truly connect with what I do. I consider that a blessing. While my follower count may not be massive, the depth of those connections creates real impact—and that’s what matters most.
I don’t follow a rigid schedule of automated or daily posts. I work with a publicist who manages my social media strategy, which allows me to stay focused on creating and delivering my work. It’s a business practice I recommend to others, especially artists and entrepreneurs.
My philosophy is that more isn’t always better. I believe in quality over quantity. When I do share, it’s intentional, meaningful, and timely. Not everything I’m doing needs to be broadcast—and in fact, I think there’s power in restraint. My platforms offer a curated experience, not a constant stream of content.
I also believe that not every detail of my process needs to be made public. There’s strength in holding on to certain creative nuances—what I call the “prudent” side of being both a businessman and an artist. These subtleties often show themselves not through posts, but in the work itself and in the lives we touch.
I mentor many aspiring artists and creatives, and I’m always eager to share the journey forward. Sometimes, the most powerful parts of our story are the ones we don’t tell—but instead, show through purpose, authenticity, and impact.

What do you think is the goal or mission that drives your creative journey?

As a self-taught artist, I strive for my work to reflect the spiritual dimensions and deeper values of life. Each piece is informed by a range of inspirations—personal experiences, cultural memory, and the unseen forces that shape our lives. For me, the creative process is just as meaningful as the finished artwork. It’s a space for exploration, healing, insight, and spiritual renewal. It’s where I reconnect—with myself, with history, and with purpose.
Much of my work focuses on illuminating the overlooked stories and forgotten histories embedded within communities. Through creative design, I aim to preserve civic memory, restore cultural identity, and help revive both the visible and invisible spirit of a place.
I believe art can unify—bridge divisions, nurture safer and more vibrant neighborhoods, and cultivate a deep sense of belonging. My goal is not just to make art, but to make a difference: to inspire lives, uplift communities, and help reawaken the soul of the spaces we share.
My hope is always that my work serves as a catalyst for change—personal, communal, and global.

Contact Info:

• Website: https://georgegadsonstudios.com/
• Instagram: https://www.instagram.com/georgegadson/
• Facebook: https://www.facebook.com/georgegadsonstudios
• Linkedin: https://www.linkedin.com/in/georgegadson/
• Youtube: https://www.youtube.com/@GeorgeGadson

Image Credits

Professional Image of Mr. George Gadson Photo Credit: Photographer Kenneth Bridgett

All other images are the property and photo artwork of Mr. George Gadson. No photo credit required