We recently connected with Francesco Libralon and have shared our conversation below.

Francesco, looking forward to hearing all of your stories today. What were some of the most unexpected problems you’ve faced in your career and how did you resolve those issues?

“You know, when I first started out, I thought mastering different music genres, establishing a distinctive style, and honing production skills would be the way to go. Turns out, the real game-changer is effective client communication.

I began my career in Italy, where the industry is smaller compared to LA. I worked with various small companies and indie projects. But here’s the catch: many, be they developers or directors, struggle to articulate their sound needs. Terms like ‘Epic’ or ‘Bigger’ often end up being vague rather than clear instructions.

Building a solid understanding with clients takes time; it’s not something that happens overnight. Take, for instance, my recent composition for Forge Reply, the Italian Company behind ‘Soulstice.’ Its success would have been unlikely without the groundwork laid in our prior collaborations.”

Francesco, before we move on to more of these sorts of questions, can you take some time to bring our readers up to speed on you and what you do?

“My journey in sound began 15 years ago in Italy, a whirlwind of diverse roles spanning music composition, production, orchestra recording, sound design, audio direction, and voice recording across a spectrum of projects—games, commercials, and cartoons. It was an adventurous dive into the multifaceted world of audio creation.

Four years ago, I made the shift to LA, where I’ve been able to fully immerse myself in my true passion: music composition and production. The creative environment here, surrounded by like-minded professionals, has been immensely rejuvenating. I revel in being submerged in this vibrant, pulsating reality of music-making.

Becoming a composer for soundtracks wasn’t initially on my radar. I always envisioned the future of music as a fusion of genres, a belief that led me to study everything from Rock to jazz to EDM—any genre within reach. Yet, unexpectedly, I found the privilege of applying these skills within the realm of media.

My ongoing pursuit remains centered on crafting a sonic language that unites diverse musical universes. Amidst my daily project work, I carve out time each week to refine this language. Every genre possesses a unique ability to evoke emotions—whether it’s melancholy, hopefulness, or any other sentiment…and it’s fascinating to find the liaison between different genres, different world that paint the same emotions in different unique way.

What do you find most rewarding about being a creative?

“Make a living in a creative field is pretty tough, there are no right or wrong path, it’s just overwhelming the way to have to manage yourself psychically and emotionally.
However, the rewards are immense and astonishing. Almost on a daily basis, there’s something new to learn, whether in composition, arrangement, or production. Each day presents an opportunity to be amazed – whether it’s exploring orchestral writing, experimenting with guitar melodies, or crafting sounds from synthesizers. Managing these diverse sounds and weaving them together in a way that enhances the project I’m working on is incredibly satisfying and beautiful.”

We often hear about learning lessons – but just as important is unlearning lessons. Have you ever had to unlearn a lesson?

“One crucial lesson I’ve had to unlearn is the belief that I could always be fully prepared for any challenge that came my way. The reality is, you’ll never feel completely ready, and there’s no way to anticipate every hurdle that might arise during a project. While it’s comforting to think that preparation is the key to success in composition, production, or any field, the truth is, you can’t know everything or master every skill. Accepting your limitations and striving to do your best with what you know is essential.

There have been instances where I had to work on a project in a genre I wasn’t accustomed to or tackle a specific scene in a trailer that seemed dauntingly unfamiliar. It’s in these moments that you find yourself saying, ‘I have no idea how to do this.’ Embracing this uncertainty and learning on the go has been a valuable lesson in my creative journey.”

Contact Info:

• Website: https://play.reelcrafter.com/PWA1kfiXSMu1pSTpXXsHqA
• Instagram: https://www.instagram.com/francesco_libralon_music/
• Linkedin: https://www.linkedin.com/in/francesco-libralon-7bb9b331/