We caught up with the brilliant and insightful Domenic Frunzi a few weeks ago and have shared our conversation below.

Domenic , thanks for joining us, excited to have you contributing your stories and insights. Can you talk to us about how you learned to do what you do?

I became a functional ceramic artist by accident. I graduated with a degree in art education and found myself teaching high school ceramics in my early 20s. Through teaching, I developed a deep obsession with clay. I dedicated all my spare time to learning about various techniques, processes, and the work of ceramic artists. I began working at The Clay Studio in Philadelphia, where I learned from many established and skilled ceramic artists over several years. This experience helped me develop my own perspective and refine my skills as a potter.

Now, I understand that this journey cannot be rushed. The world of clay is vast, and there is always more to learn and discover. Patience, tenacity, and persistence are essential when working with clay. In my practice, being pragmatic while having a timeless design sensibility, along with attention to detail and craftsmanship, are the most important skills. Clay can be fickle, confusing, and challenging. Embracing these challenges as opportunities for learning is crucial.

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

Domenic Frunzi (he/him/his) is a Philadelphia-based ceramic artist and teacher. He has been teaching high school ceramics for the past 15 years. His time in the classroom being surrounded by clay shifted his own studio practice from drawing and painting to functional ceramic work. In 2016, after 3 formative years in the work exchange program at The Clay Studio, Frunzi built out his own studio in the East Kensington Neighborhood of Philadelphia, PA. 6 years ago, Domenic pivoted to teaching part time to pursue his studio practice full time.

All of Frunzi’s work is wheel thrown and one of a kind. The aim of his work is to continuously create timeless work that incorporates both unique design elements and refined functionality. Since 2016, he has been making work for various stockists ranging from retail shops, cafes, restaurants and markets. He has been featured on and sold work through Food52, Urban Outfitters, YOWIE, The Philadelphia Museum of Art, and Bon Appetit/Healthish.

For you, what’s the most rewarding aspect of being a creative?

The most rewarding aspect of being a maker is seeing a customer put my work to use and enjoy the special moments it brings to their daily lives. Customers often send photos of themselves using my work, which really makes the whole process of creating come full circle.

Do you think there is something that non-creatives might struggle to understand about your journey as a creative? Maybe you can shed some light?

The amount of planning, time, and work that goes into making a functional piece of pottery is something that many struggle to understand. Throwing the pot on the wheel is only one part of a long process. Having the proper materials, equipment, and set up, along with firing, glazing, finishing, and shipping the piece all contribute to why a handmade, one-of-a-kind mug that you buy from an artist may cost upwards of $50-$60.

Contact Info:

• Website: frunziceramics@gmail.com
• Instagram: dfrunzi_ceramics

Image Credits

Bre Furlong
Adam Cantiello
AllCapsStudio