We recently connected with Colleen Tully and have shared our conversation below.

Colleen, thanks for joining us, excited to have you contributing your stories and insights. Can you talk to us about how you learned to do what you do?

I hold a degree in Fine Arts from MSU Denver, where I had the unique opportunity to collaborate with renowned artists like Christo and Jean-Claude, and Sergei Isupov. Additionally, I was fortunate to learn from influential figures such as Joanna Frueh. During my time in college, I gained hands-on experience in contemporary sculpture, ceramics, painting, and drawing, while also deepening my understanding of art history and theory. However, I wish I had more exposure to the practical realities of gallery work and marketing, areas I feel would have better prepared me for navigating the professional art world.

The most valuable skills I developed came from learning directly from my professors, whose artwork and personal journeys were a significant source of inspiration. However, funding challenges, particularly for further education and necessary supplies, were major obstacles during my studies as well as the competitive nature of the world of contemporary art.

Colleen, before we move on to more of these sorts of questions, can you take some time to bring our readers up to speed on you and what you do?

I have always loved creating figurative art, and over time, I’ve joined the movement of contemporary imaginative realism. Imaginative realism combines classical painting techniques with postmodern narrative subjects, focusing on the unreal, the unseen, and the impossible, This movement includes many contemporary artists like Miles Johnson, Victoria Steele, Vince Natale, and Brad Kunkle who combine figurative work with elements of imaginative imagery, a style that allows me to explore the unseen and bring it to life on canvas.

Recently, my work has taken a unique turn, as I incorporate antique, abandoned Victorian mirrors and headboards into my oil paintings. These salvaged pieces serve as one-of-a-kind frames, giving my paintings an added dimension. Outside of my studio practice, I also enjoy refinishing furniture, often blending my art into the furniture itself. For every solo exhibition I hold, I include at least one piece of artistic furniture that I’ve crafted as a personal touch.

After college, a few friends and I started a co-op gallery from the ground up. It was there that I began showcasing my work, which sparked my growing interest in gallery exhibitions. This led me into the world of contemporary imaginative realism in oil painting, where I focus on imagining the unseen and making it seen.

I currently show and sell my work through Valkarie Gallery and Kuehl Fine Art Gallery, where I have two solo shows each year. I also compete in gallery exhibits and display my work in local galleries. My goal is for my art to resonate like poetry, using emotive imagery to explore the human condition and create a deep connection with others exploring the human condition.

Can you share a story from your journey that illustrates your resilience?

When I graduated from college in 2008, it was one of the toughest times for any new graduate to find employment. Shortly after, I was diagnosed with cancer, which further hindered my chances of pursuing my artistic goals and continuing gallery work. But art has always been an integral part of who I am, and I couldn’t let go of it, no matter the circumstances. Despite the challenges, I was determined to keep art in my life, even if it meant living like a starving artist.

I sacrificed a steady job, a comfortable place to live, and financial stability to keep creating. While I may still be “starving” in the literal sense, I am thriving in my art—this is what I fought for, and it’s what I love. So, in a sense, I can truly say that I have my dream job.

What do you find most rewarding about being a creative?

There is little fame or fortune in art, but there is something far more profound: the connection with your viewer. It is a genuine bond. Some patrons have wept before my work, moved deeply by the visual language I’ve crafted. They thank me for creating something that spoke to them. That’s what I strive for—to create not just art, but poetry that resonates with the human soul.

Contact Info:

• Website: https://Www.artbycolleentully.com
• Instagram: @artbycolleentully
• Facebook: https://Www.facebook.com/colleentullydenverart
• Other: Email: [email protected]

  Gallery: Www.valkariefineart.com

Image Credits

Colleen Tully