Alright – so today we’ve got the honor of introducing you to Chris Mardiroussian. We think you’ll enjoy our conversation, we’ve shared it below.
Chris , thanks for taking the time to share your stories with us today Learning the craft is often a unique journey from every creative – we’d love to hear about your journey and if knowing what you know now, you would have done anything differently to speed up the learning process.
Certainly, the journey of learning the craft of poetry and fiction writing through Creative Writing Workshops and immersing myself in the works of literary giants like Charles Bukowski, John Fante, and Robert Guffey has been a transformative and enriching experience. These writers have left an indelible mark on my approach to poetry and storytelling.
For me, participating in Creative Writing Workshops provided a structured and supportive environment to explore my writing voice. It was through these workshops that I learned the importance of constructive critique, honed my skills in giving and receiving feedback, and discovered the power of revision. These workshops encouraged me to take creative risks and experiment with different styles and forms. They taught me that writing is not just about putting words on paper but also about the craft of storytelling, the nuances of language, and the art of capturing emotions and experiences.
As far as muses go, Charles Bukowski, known for his raw and unfiltered prose, has been a source of inspiration in embracing the gritty and unapologetic aspects of storytelling. His works such as “Post Office,” “Women,” and “Ham on Rye,” often delve into the underbelly of society, shedding light on the lives of ordinary people and their struggles. Bukowski’s candid and unvarnished narratives taught me the importance of authenticity in writing. His ability to confront the harsh realities of life with both humor and pathos encouraged me to be unafraid of exploring the complexities of the human experience in my own work.
Moreover, John Fante’s writing, particularly his semi-autobiographical novel “Ask the Dust,” showed me the power of introspection and self-exploration in storytelling. Fante’s protagonist, Arturo Bandini, is a character who grapples with his dreams, insecurities, and the search for identity. Fante’s ability to delve deep into the psyche of his characters resonated with me, emphasizing the significance of introspective writing and character development. His work taught me that the most compelling stories often emerge from the inner struggles and conflicts of the characters.
Lastly, Robert Guffey, a contemporary writer known for his blending of genres and exploration of the surreal and the bizarre, introduced me to the concept of pushing creative boundaries. Guffey’s works including “Chameleo,” “Until the Last Dog Dies,” and “Dead Monkey Rum,” are a testament to the idea that literature can transcend conventional genres and boundaries. His writing encourages writers to think outside the box, experiment with narrative forms, and challenge preconceived notions of storytelling. Through Guffey’s work, I’ve learned that there are no limits to creativity, and one can craft narratives that are as unconventional and boundary-pushing as they are thought-provoking.
Without a doubt, my journey of learning to write poetry and fiction through Creative Writing workshops and the influence of writers like Charles Bukowski, John Fante, and Robert Guffey has been a multifaceted and enriching experience. These workshops provided the foundation for my growth as a writer, fostering skills in constructive critique and revision. Meanwhile, the works of these literary giants have shaped my writing philosophy, emphasizing authenticity, introspection, and the limitless possibilities of creative expression. These experiences have not only deepened my love for poetry and storytelling but have also expanded my horizons as a writer, continually inspiring me to explore the complexities of the human experience through the written word.
As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?
Currently, I am a Lecturer in the Department of English at California State University, Long Beach. I teach courses ranging from Freshman Composition to Business Communication Writing to Public Speaking. Following the course Student Learning Outcomes, I design my course materials to ensure students’ success and development as diverse writers and learners within the university. I also create a syllabus and sequenced assignments according to course units, which each focused on a genre of composition and a theme relevant to Digital Rhetoric, New Media Studies, and embodied knowledge. In my classes, we examine argumentation, communication, composition and rhetorical production within participatory communities and culture as they occur in numerous modalities, including video, webtext, imagery, audio/podcast, graphics, print, and any blending of modalities. Therefore, in my courses, my students engage with projects involving production in Garageband and iMovie, PowerPoint, Google applications, and website generation through platforms like Adobe Spark, Weebly, and Wix. Therefore, I am passionate about supporting and mentoring students who have lots of experiences to contribute as life-long learners. In both my academic and professional life, I have continued to find opportunities that will allow me to grow, refine, and practice my teaching pedagogies in preparation for a fulfilling career in education. Thus, allowing me to continue to work with a diverse student population in a multidisciplinary setting at the college level. Without a doubt, it’s my excitement to be a part of the English Department team and continuing to positively impact our incredible community here at CSU Long Beach.
Recently, I published my second full-length collection of poetry entitled BLUNDER DOWN UNDER, which Chasing Shadows Magazine called, “A stark and raw style of writing that clearly constitutes the life of a typical miscreant.” These poems offer a vivid array of stories that have biting, outrageous voices which invite readers to dive in head-first into their wild and sensual antics. These poems take readers through the many bittersweet trials and tribulations of life by offering an eclectic mix of sounds, images, and voices in a meditative, funky introspective way. These explore the tenderness of identity, sexuality, and/or absurd realities of twenty-first century America with a lot of jaw-dropping madness along the way. This collection combines the comedic timing of Hunter S. Thompson, the sharp dialogue of David Mamet, and the brutal realism of Charles Bukowski. A collection of poetry for our times, BLUNDER DOWN UNDER is raw, lyrical, and unapologetic.
In 2019, I won First Prize in the Cinema Italian Style Film Festival (sponsored by the prestigious American Cinematheque in Los Angeles) for my short film entitled IL BREAKUP, which I co-wrote and produced. In 2017, I co-wrote a collection of poetry entitled HONESTY. LOVES. CRUELTY. This collection takes readers through the many bittersweet trials and tribulations of life which explore the tenderness of identity, sexuality, and limits of love. I have also worked on several independent films such as Friends in High Places (2021), nominated for Mexico City’s International Film Festival, The First Color (2020), won the Disability Issues Award, and The Ties that Bind Us (2019), won the Gold Award for Independent Shorts. My creative works have appeared in Bloom Magazine, BOMBFIRE, Horror Sleaze Trash, Incognito Press, Persimmon Review, Pomona Valley Review, Poetically Magazine, Skipping Stone Review, and elsewhere.
Lastly, I just finished my third collection of poems (tentatively) entitled BALLADS OF A BARSTOOL PROPHET. This collection explores the gritty realities of life and is a glimpse into the lives of lost souls, seeking solace in the hazy glow of dimly lit taverns, navigating the chaotic dance between alcohol, loneliness, and the human spirit. These poems are a fearless exploration of the dark recesses of the human psyche, a brutal reminder that life’s beauty lies not in perfection, but in the cracks and imperfections that make us who we are. Drawing inspiration from the comedic timing of Hunter S. Thompson, the sharp dialogue of David Mamet, and Charles Bukowski’s unmatched ability to strip away pretense and reveal the raw essence of humanity, BARSTOOL BALLADS captures the essence of life’s beauty amid its most profound struggles. It is a powerful celebration of the flawed, the broken, and the real, leaving readers with an indelible mark on their hearts and a deeper understanding of the human experience.
What do you find most rewarding about being a creative?
The most rewarding aspect of being a poet or writer, particularly in the context of being relatively unknown or operating within underground literary circles, is the profound sense of artistic freedom and the authentic connection with both the craft and the audience.
As an underground or lesser-known writer, there’s a certain liberation that comes with not being bound by commercial pressures or mainstream expectations. This creative freedom allows me to explore unconventional themes, experiment with unique narrative structures, and delve into topics that might be considered niche or unconventional. It’s a realm where the pursuit of artistic truth takes precedence over catering to popular trends or marketability. This creative autonomy enables me to push boundaries, challenge norms, and express ideas in a way that feels most authentic. Meaning, that the motivation for writing is intrinsic rather than extrinsically driven by fame or recognition. It allows me to immerse myself deeply in the craft itself, honing my skills and continuously evolving as a writer. There’s a purity in the act of writing for the sheer love of it, without the distractions of seeking validation or widespread acclaim. It’s about the joy of stringing words together, exploring new literary techniques, and refining the art form.
In underground or niche literary communities, there exists a unique bond between the writer and their audience. Readers who seek out lesser-known writers tend to do so because they resonate with the themes, style, or voice of the work on a personal level. This creates a more intimate and authentic connection with readers who genuinely appreciate the artistry and aren’t swayed by external factors like popularity or marketing. These connections often lead to more meaningful and profound discussions, allowing the work to have a more significant impact on those who engage with it. Thus, allowing for the exploration of marginalized or underrepresented perspectives. It provides a platform to give voice to stories, voices, and experiences that may not find a place in mainstream literature. It’s an opportunity to champion diversity and inclusivity in storytelling, shedding light on narratives that deserve to be told but might be overlooked by larger publishing houses.
In conclusion, while being a relatively unknown or underground writer may come with its share of challenges, it offers a multitude of rewards that go beyond the realm of fame or recognition. It’s about embracing artistic freedom, connecting deeply with the craft, forming authentic bonds with readers, and championing diverse narratives. Ultimately, it’s a path that celebrates the intrinsic love for storytelling and the belief that the art itself is its own meaningful reward.
Is there something you think non-creatives will struggle to understand about your journey as a creative?
Absolutely, the journey of an artist or writer often carries with it aspects that others outside these spheres may find challenging to fully grasp. While this divide isn’t insurmountable, it’s essential to shed light on these differences in perspective to foster mutual understanding and appreciation for the creative process.
One aspect that might be difficult for non-creatives to understand is the writer’s frequent need for solitude and uninterrupted time for contemplation and creation. Writing often demands deep introspection and immersion into the worlds we create or the emotions we seek to convey. This solitude isn’t necessarily a sign of antisocial behavior; it’s a vital component of the creative process, allowing us to tap into our innermost thoughts and feelings. Moreover, writers often grapple with self-doubt and the constant inner critic that questions the value of their work. Non-creatives might wonder why writers are so critical of themselves, not realizing that this inner turmoil is an integral part of the artistic journey. It’s a driving force that compels us to refine and improve our craft continually.
Not to mention, writing is an emotionally charged endeavor. Writers invest themselves deeply in their work, often drawing from personal experiences and emotions to create authentic narratives. Non-creatives might not fully grasp the emotional toll that writing can take, as it can be both cathartic and emotionally exhausting. Also, crafting a piece of writing, whether it’s a poem, a short story, or a novel, takes time and patience. Non-creatives may not always understand why we can’t produce work on demand or why deadlines sometimes feel restrictive. Writing is an organic process, and ideas need time to develop and mature.
Without a doubt, creatives thrive on the joy of discovery, whether it’s uncovering a new perspective, delving into research, or stumbling upon unexpected plot twists. These moments of inspiration can be difficult to convey to non-creatives who might not experience the same sense of wonder and fulfillment in their daily routines. Many writers have an unrelenting pursuit of excellence and are never entirely satisfied with their work. Non-creatives may question why we’re always striving for improvement or why we agonize over each word choice. It’s because we believe in the transformative power of language and the impact it can have on readers.
Lastly, writers often need support and encouragement, not just in the form of compliments but also through understanding when we hit creative blocks or face rejection. Non-creatives might not realize how crucial this support is in helping us navigate the highs and lows of our creative journeys.
In conclusion, the journey of an artist or writer can be a complex and emotionally charged one, marked by solitude, self-doubt, and a relentless pursuit of excellence. Ultimately, creativity enriches our lives, and when both creatives and non-creatives appreciate and respect each other’s perspectives, we create a more inclusive and vibrant artistic community.
Contact Info:
- Website: https://www.christophermardiroussian.com/
- Instagram: https://www.instagram.com/chris_mardiroussian/
- Other: Amazon link to BLUNDER DOWN UNDER (collection of poems): https://www.amazon.com/Blunder-Down-Under-Collection-Poems/dp/9395193301/ref=sr_1_1?crid=31EZ9ZYOPMYJQ&keywords=blunder+down+under+book&qid=1693868999&sprefix=%2Caps%2C155&sr=8-1
Image Credits
Photo Credits to Chris Cabrera. (instagram: @chrisdcabrera)