We were lucky to catch up with Caroline Amiguet (aka Sivertson) recently and have shared our conversation below.
Hi Caroline, thanks for joining us today. How did you learn to do what you do? Knowing what you know now, what could you have done to speed up your learning process? What skills do you think were most essential? What obstacles stood in the way of learning more?
Hi / Bonjour !
I’m Caroline Amiguet—an actor with French, Swiss, and American roots. Born in Paris, I weave my life between San Diego’s golden light, Hollywood’s dreams, and the timeless romance of Paris and Switzerland.
My acting journey began in 2005, and let’s just say… I dove in headfirst and never looked back! Over the years, I’ve trained with a rich variety of studios and teachers:
– WCIS Studios (audition techniques)
– Acting Professionally
– Three months at The Rehearsal Room
– Technique Intensive at the Stella Adler Conservatory
– Le Cours Florent in Paris
– Improv at Finest City Improv
– TVI Studios, where I had the joy of working with casting legends like Mark Teschner and Christy Dooley
– Classes with James Hong and April Hong
– Intensive workshops with the wonderful D. Candis Paule, CSA
– Margie Haber Studios
– Voiceover coaching with Marc Graue
– Online classes with To Be or Not To Act
– A return to college with two semesters at Mesa College Theatre Company
– And currently, I’m exploring the depths of Meisner and Chekhov techniques at MCIAT
Phew! That’s a mouthful, right? But training is only part of the story.
Let’s be real—life itself is a theatre, and acting is its heart: vulnerability, presence, and soul connections. To be! That’s why I spend a lot of time observing people… and hanging out with my pets (excellent scene partners, by the way). I come from a family where drama and comedy play out every day—life’s greatest acting school. With a temperament rich in sensitivity and empathy, acting didn’t just call me—it found me.
The best training, though? Being on stage, performing in plays, and creating my own projects. I also have more than 30 short films under my belt, plus a few feature films—which have been incredible learning grounds. Every set has taught me something new, from the technical to the deeply emotional.
And yet… I still feel like a student of the craft. There’s always more to explore, more to refine, more layers to uncover. Acting keeps me humble, curious, and endlessly inspired.
Let’s not forget the art of auditioning—where you’re suddenly the director, cameraperson, lighting tech, wardrobe stylist, makeup artist, and editor all at once. (Huge shoutout to my incredibly patient husband for being my scene partner/reader through it all!)
I may not have what some might call a “pedigree,” but I do have grit, passion, and a deep love for the craft. I believe in showing up, putting myself out there, doing the work, and pouring my whole heart into every role—whether it’s a lead, a supporting part, or a self-taped audition in my office or on the go.
Awesome – so before we get into the rest of our questions, can you briefly introduce yourself to our readers.
Roughly two decades ago—Oh mon Dieu, two decades already!—I left Switzerland for the United States with the modest goal of improving my English. I had confidently given myself three months to become fluent (a recurring theme in my life: I tend to assume everything will be easy—blame it on my sunny optimism, lol).
Unsurprisingly, three months turned into… much more. I extended my stay, let go of the job that was waiting for me back home, and decided to invest my savings into studying at UCSD. My hope? To earn an Optional Practical Training visa, which would allow me to work in the U.S. After more than a year of studying without being legally allowed to work, I finally got my OPT—thanks in no small part to a beautiful network of expats who, like me, were navigating the same challenges and generously shared their support and advice.
That led me to an incredible opportunity: a job at a video game company developing massive multiplayer online games. I was absolutely fascinated—not just by the creative universe of the games themselves, but by the sheer ingenuity and teamwork involved in building those digital worlds. It was like stepping into a whole new dimension.
Then, in 2005, something shifted. I took my first acting class—and something electric coursed through me. It felt like an elixir of truth had flooded my entire being. That first taste was enough: I was hooked. I started taking classes regularly, and I realized I was committing to the texts I was given with more intensity and honesty than I had sometimes managed in “real life.” Through acting, I was uncovering truths—about the world, about humanity, about myself.
It was also the dawn of Netflix, YouTube, and online access to incredible archives of film and theater. I devoured the classics and discovered a new kind of education: raw, moving, and timeless.
What do you offer, what problems do you solve, and what sets you apart?
I’m an actor working across film, TV, stage, and voiceover—everything from ADR and looping to character work. (And yes, I’d love to dive into dubbing—call me, Netflix!)
In addition to acting, I’ve also stepped into the world of producing. You can catch some of my work on streaming platforms, including:
– Love All You Have Left
– Pure Inspiration
– Just Desserts
– Frenchie
– Old Aquatics
and a short play I created called 2 Weeks with Ma Mère.
I also wrote and performed a solo show titled Pardon My French, which follows my journey of moving to the U.S. and finding my “true North.” It’s a story full of laughter, cultural detours, and emotional truth.
What sets me apart? I bring an international flair to every production—a touch of that indefinable je ne sais quoi. My accented English adds unique texture to characters, and I often get cast in roles like:
– The caring yet no-nonsense teacher or professor
– The sharp, strategic CEO
– The seductive and mysterious witch
– The quirky writer or offbeat artist
– And of course… the classic Frenchie!
Whether I’m in front of the camera, behind the mic, or developing a project from the ground up, I bring heart, professionalism, and a global perspective to the work.
What are you most proud of, and what do you want people to know about you and your work?
I’m proud of being bold and open—qualities that guide everything I do. Whether I’m on a film set, stage, or behind a mic, I show up with heart and a clear mission: make the project shine. I’m not just in it for the performance; I’m in it to contribute to something greater, to elevate the team, and to ensure that whatever we’re building together is a success.
As for my brand? Think: bold, reliable, and quirky. My tagline says it all:
”Glamour and natural—with a French touch!”
I bring an international flair, a dedication to craft, and a playfully grounded energy. And yes, I can wear heels and speak Shakespeare with an accent.
You can browse my filmography on IMDb/carolineamiguet, follow my creative journey on social media at @carolineamiguet, or visit www.carolineamiguet.com for more. For booking inquiries, reach out to my agents—contact info is on my website.
Merci, and I hope our paths cross soon!
Learning and unlearning are both critical parts of growth – can you share a story of a time when you had to unlearn a lesson?
That “checking all the boxes” was the golden ticket. Spoiler alert: it’s not. First of all, the boxes keep shifting. Second, luck and connections play a bigger role in this industry than most of us would like to admit.
Also, I used to see my accent as a limitation. I tried for years to “neutralize” it, to blend in, to sound more like everyone else. My first audition set the tone—I kept being called for roles with a French connotation. At first, I resisted. I thought I had to erase part of myself to fit in.
Here’s an excerpt from my solo show Pardon My French:
“Oh my goodness! Auditioning was so tough. The drive to L.A., seeing 200 models or actors at a casting call… And then, when the call was for French characters, it was always a caricature. I wasn’t booking anything, and the harder I tried, the worse it felt. Then I auditioned for a short film called ‘Foie Gras’ and—I panicked. I improvised in French with the other actress… except, she wasn’t French and didn’t understand a word! I drove home, humiliated. It wasn’t fear of failure anymore—it was shame. I was ready to quit. And then… the phone rang.”
I had booked the lead. Yes, it was a bizarre story—my character made foie gras using her neighbor’s liver after she sabotaged her—but it was bold, dark, funny… and me. I embraced the absurdity and leaned into who I am. That’s when the doors started to open.
The lesson? When I am my authentic self, I shine. From that moment on, it wasn’t about fitting in—it was about showing up fully, accent and all.
Are there any resources you wish you knew about earlier in your creative journey?
Yes: Never let anyone define who you are. Protect your voice.
You are the master of your soul. Do you. I do me. And through it all—remember to have fun.
Also: Bringing a project to life is an act of endurance. It takes energy, money, creativity, diplomacy, knowledge… and way more matcha tea than you’d expect. We’re all sensitive souls, and under pressure, things can unravel. My advice? Stay gracious. Trust that most people are doing their best. Offer support where you can—and if you need to walk away, do it with grace. Then vent at home or throw a punch in your karate class (I do—I’m a brown belt training for black. Watch out!).
And always remember: no one creates alone. Ensemble—the French word for together—says it all. Every person on a project is a vital part of the story. Let’s keep telling them—ensemble. And let’s not forget to enjoy the ride.
Contact Info:
- Website: https://www.carolineamiguet.com
- Instagram: carolineamiguet
- Facebook: https://www.facebook.com/CarolineAmiguetOfficial
- Linkedin: https://www.linkedin.com/in/carolineamiguet/
- Youtube: https://www.youtube.com/watch?v=he3Mw8HBLOI&feature=youtu.be
- Soundcloud: https://soundcloud.com/caroline-amiguet
- Other: https://www.carolinestyle.com
Image Credits
Photo credits : Self.
On location filming “Bon Bon” directed by Henry Haber.