We recently connected with Caiqin (Jennifer) Zhan and have shared our conversation below.

Caiqin (Jennifer), thanks for taking the time to share your stories with us today Let’s start big picture – what are some of biggest trends you are seeing in your industry?

AI in film and art creation is the most controversial subject in the industry right now. While I can see how convenient it can be as a tool, just like both writers and actor strikes were fighting against the use of it, I share the same concern that it may violate the rights of a filmmaker and the current AI technology cannot create true art that is forged by human heart and tears. A very similar debate is that many great artists and philosophers experimented with narcotics that ‘helped’ them to create work. By no means would I diminish their work and struggle, but I always have a sorrowful feeling especially when it comes to my favorite artists and philosophers, because in my point of view, drugs can not only be a harmful device but might work as a shortcut or cheatsheet for them to create mastery. However, just like Oscar Wilde once said: “insincerity and treachery somehow seem inseparable from the artistic nature.” I do hold an optimistic view toward AI development which can enhance efficiency and facilitate more to create. Yet, what makes it true art, I believe, requires pain and contemplation from the genuineness and organic of our hearts and minds.

Caiqin (Jennifer), love having you share your insights with us. Before we ask you more questions, maybe you can take a moment to introduce yourself to our readers who might have missed our earlier conversations?

I am a producer and actor based in LA. In the past few years, I produced my first feature narrative Playland in 2022 which was premiered and nominated at the Rotterdam International Film Festival and won the prestigious award at the Frameline San Francisco International LGBTQ Film Festival. The short film A Matter of Time (2021), was selected for many prestigious and Oscar-qualifying awards, including WorldFest Houston, Hollyshorts Film Festival, LA Shorts International Film Festival, Victoria Film Festival, Canada, Flickers’ Rhode Island International Film Festival; as well as screening in Cannes Film Festival – Short Film Corner. I serve as the Director of the Executive Committee at Stars Collective, dedicated to supporting BIPOC/AAPI and female filmmakers and indie films worldwide. I have also participated in the development of James Wan’s Malignant, Sony Pictures Umma, Emmy-nominated documentary WuhanWuhan, and Sundance premiered and nominated Jamojaya, winner of the Audience Award at Venice Film Festival Nezouh.

Can you share your view on NFTs? (Note: this is for education/entertainment purposes only, readers should not construe this as advice)

I appreciate the concept of valuing authenticity and tracking the copyright of artwork, however, the field is marred by numerous scams and bubbles, leaving much room for evolvement. Additionally, I am not a big fan of virtuality.

What’s the most rewarding aspect of being a creative in your experience?

For me, the most rewarding aspect of being creative is being able to express my thoughts, emotions, and perspectives in my own way. Storytelling in the medium of film allows me to delve into the depths of my imagination and communicate ideas that might be challenging to convey through words alone. Additionally, the continuous journey of self-discovery and communication with others from different backgrounds is a constant source of joy and inspiration.

Contact Info:

• Instagram: https://www.instagram.com/denpajenn/
• Linkedin: https://www.linkedin.com/in/jennifer-zhan-caiqin/