We’re excited to introduce you to the always interesting and insightful Brandon Moran. We hope you’ll enjoy our conversation with Brandon below.

Brandon, thanks for joining us, excited to have you contributing your stories and insights. How did you learn to do what you do? Knowing what you know now, what could you have done to speed up your learning process? What skills do you think were most essential? What obstacles stood in the way of learning more?

Most of what I know now didn’t just come from school — it came from studying the work of artists I’ve looked up to for years. If I had the knowledge back then that I do now, I probably would’ve skipped school altogether and invested in private lessons or mentorships with those same artists who inspired me in the first place. For me, the most essential skills were learning sound design, and then really figuring out how to take that sound and push it to its full potential.

As for obstacles, of course life throws its curveballs, but one of the biggest challenges I’ve faced has honestly been the politics within the EDM scene. The way the industry has been run in recent years has made it tough to get more involved beyond just being an artist. That’s been a real barrier — not creatively, but in terms of being part of the wider community.

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

I go by Necrotic Noise now, but some of you might remember me as DEAMZ. I first got into EDM production after starting out making beats — I wanted to push myself further and explore more of what was possible creatively. From that point on, I taught myself everything: music production, visual art, 3D design — all to give my project a full artistic direction that I could completely control.

Along the way, I had the chance to learn from some absolute legends in the scene — artists like Nosphere, Code: Pandorum, and especially NIMDA, who became a personal mentor to me for a while. The time I spent learning from him was incredibly valuable and really helped shape my sound and approach.

The shift to the Necrotic Noise project gave me a sense of creative freedom I didn’t have before. With DEAMZ, the branding was pretty specific and limiting in some ways. Necrotic Noise was my way of breaking out of that box. The name itself comes from my belief that parts of the industry are kind of rotting from the inside — falling into a sort of creative necrosis. I wanted to be part of a fresh wave, something that shakes things up and brings new energy back into the scene.

We’d love to hear the story of how you built up your social media audience?

Building a social media following hasn’t just been about posting — it’s been about consistently creating strong visual content that really connects with people. I’ve put a lot of time into making sure the visuals reflect the sound and vibe of what I’m doing. But honestly, one of the biggest things I’ve learned is that your online presence is only half the game — getting out there in real life is just as important.

Being part of the Primal Records team — not just as an artist, but also as an art director and A&R — has really helped me branch out and build deeper connections in the scene. It’s given me the opportunity to work closely with other creatives, discover new talent, and learn a lot more about how the industry operates behind the scenes. That perspective has been huge for my growth.

The more real connections you make, the more your name spreads organically. When people know you personally, they engage with your work on a deeper level. That kind of support and word-of-mouth can’t be faked. It’s all about showing up, being present, and letting the art speak for itself both online and off

What can society do to ensure an environment that’s helpful to artists and creatives?

I think fans can play a huge role in shaping the scene just by being more educated and aware of the artistry behind it all. I’ve noticed a lot of people show up to events and don’t even check out the full lineups — they miss out on discovering artists who might really speak to them, just because they’re locked into the names they already know.

It’s totally natural to have your favorites, but I think real support means giving newer or lesser-known artists a chance too. Even something as simple as sharing music you love, reposting a track, or showing up early to a show — it all adds up. At the end of the day, the artists making the music that moves you deserve to feel that energy back.

Contact Info:

• Instagram: https://instagram.com/necroticnoise.wav
• Soundcloud: https://soundcloud.com/necroticnoise
• Other: https://open.spotify.com/artist/2luVmDAAZSNCBLYbUlZ5N2