We were lucky to catch up with Antonio Di Iorio recently and have shared our conversation below.
Antonio, looking forward to hearing all of your stories today. We’d love to hear about a project that you’ve worked on that’s meant a lot to you.
Without any hesitation, among all the exciting and satisfying projects I’ve worked on, the most meaningful movie is “Godzilla x Kong: The New Empire”, which hit theatres worldwide on March 29th. This marks a significant milestone in my path, especially because I have stepped into a more prominent role working as a credited co-composer alongside Tom Holkenborg (Junkie XL). To be credited as a co-composer on one of the biggest blockbusters and franchises is simply astounding. “Godzilla x Kong: The New Empire” isn’t just another film; it’s a cultural phenomenon, captivating audiences worldwide. I want to believe that having my name associated with this epic movie acknowledges years of hard work, dedication, and passion for this profession. This opportunity represents the culmination of a journey filled with numerous additional composer credits on various Studio big-budget films. Each project has been a stepping stone, preparing me for this moment. From scoring my first projects, TV series, and live concerts, to contributing to major productions, every experience, including networking, has contributed to my growth as an artist, composer and individual.
One of the most rewarding aspects of this project was the opportunity to collaborate closely with a renowned director, with some of the most influential executives at Legendary and Warner Bros. and their creative team alongside Tom. Being involved in discussions and brainstorming sessions with those Studio professionals, and seeing the vision for the film come to life has been both inspiring and humbling. Their guidelines and feedback have pushed me to elevate my work to new heights. This meant a complete responsibility on my part in making creative decisions and interacting with the filmmakers and music editor, facing crucial meetings alongside Tom with the director and producers.
I worked for Tom from 2016 to 2020 as an in-house Additional Composer. Following Godzilla vs Kong’s completion in 2020, which I worked on as a freelancer for the first time, I began working on projects outside of Tom’s sphere, both mine and mostly with other wonderful composers such as Pinar Toprak and Henry Jackman. In 2022, Tom contacted me about contributing to the next chapter of Godzilla x Kong. Our friendly and collaborative relationship was so special that led to the conclusion that it was time for both of us to move on to the next level of our collaboration. The mutual decision was that the time was right and mature for me to become a credited co-composer with Tom. My gratitude to Tom and his agents will never end for his generosity and trust.
This movie was also meaningful from a creative standpoint. The goal was to give each set a precise and distinctive sonic shape alongside the massive use of a large orchestra.
Based on the filmmakers’ requests, the action plan for this score aimed to maintain the established musical language from the first film (Godzilla vs Kong) but with a more elaborate and rich approach. The goal was to maintain a connection with the previous film while also introducing new musical elements to characterize the new settings and characters. I created six new themes to reflect the events and interactions between characters (new and old), adding freshness and innovation to the soundtrack and emphasizing the complexity of the narrative and character development.
During the initial creative process, together with my team (consisting of two dear colleagues and friends, Shwan Askari and Jarrod Royles-Atkins) we spent a lot of time experimenting and searching for unique instruments, especially those of ethnic nature. We also worked intensively on assembling new sounds in the percussion department. As well as the orchestra, which is always very prominent, the extensive use of synthesizers, sound design, and specially crafted samples was crucial to accommodate the film’s intricate plot, story developments, and introduction of new characters. Collaborating as a team in modern film music is essential, and doing so with close friends lightens the journey.
The goal, following the filmmakers’ vision, was to distinctly characterize each character, environment, and community (the Iwi tribe), conveying their physical characteristics and nature through particular musical themes and unique sound research. The range is wide, ranging from pure sound design with powerful sounds to unusual combinations like a variety of mallets (various and peculiar marimbas, plus other ethnic types) accompanied by horns, bassoons, and various synths for the melodic part. Heavy and electric synths were used, along with pulsating synths featuring distinctive and predominant riffs, which repeat significantly throughout the entire film. These riffs themselves substantially contribute to the identity of each character. The approach included particular and ethnic choral combinations, even involving 4 different choirs with distinct timbres.
These elements were effectively integrated with the use of a titanic orchestra, masterfully recorded at the Synchron Stage Vienna by the Synchron Stage Orchestra conducted by Bernhard Melbye Voss, ensuring a diverse and engaging sonic experience throughout the film. Creating a diverse and engaging sonic experience was the ultimate achievement. We must never forget that we are always responsible for making our filmmakers happy and proud, understanding and embracing their vision of their movies.
As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?
Born in Italy, I am a Los Angeles-based composer for Film, TV, and Classical Concerts. I’m classically trained in piano, composition, and orchestra conducting, with degrees and master’s degrees obtained in Italy and the United States. I started piano at five, and composing at eight, with my works performed at European festivals. Inspired by Tchaikovsky, Respighi, and Stravinsky, I knew early on that I wanted to be a composer, especially after hearing John Williams’s “Hook” at nine. Since then, I’ve scored short films, and Italian TV shows for SKY TV, including the 2010 Vancouver Winter Olympics.
One of my most memorable concerts was in Amsterdam, where I conducted an Italian ensemble, and in Brescia, where I led a grand gala concert with the Orchestra Filarmonica Franciacorta. The program featured famous film scores by Hollywood and Italian composers like John Williams, Ennio Morricone, Hans Zimmer, and Howard Shore, alongside some of my own compositions such as “Sparks Battle,” “Celebrazioni,” and “Dante In Paradisio.” Later, I collaborated with orchestra conductors as a composer and orchestrator, recording my works on CDs.
After winning prestigious international composition awards such as the “Krakow Film Music Festival”, the “Bucchi”, “SKY Vancouver”, and others, and narrowly missing first place at the Transatlantic Composition Competition, along with two nominations at the “Hollywood Music In Media Awards”, I moved to Los Angeles in 2013 to pursue new opportunities. Attending the Krakow Film Music Festival in 2013 was particularly significant, as I had the chance to meet influential Hollywood professionals who invited me to Los Angeles.
Shortly after, I was admitted to the prestigious ASCAP Film Scoring Workshop in LA on my first try in 2014. There, I met many wonderful people from the Hollywood film industry and the film music business. I had the chance to record my music at the legendary FOX Scoring Stage, conducting the spectacular Hollywood Scoring Orchestra. I owe everything to ASCAP, the marvellous people who work there, and those I met through the program. In particular, two wonderful people became my real mentors.
From there onwards, I slowly began to build my career, which, in a very short time, led me to cover the important role of Senior Assistant and Additional Composer for Tom Holkenborg (aka Junkie XL), known for his work on “Mad Max: Fury Road,” “Deadpool,” and “Batman vs Superman” with Hans Zimmer, among others. I worked with Tom for four years (2016-2020), and my music can be heard extensively in movies such as: “Sonic The Hedgehog” by Jeff Fowler (Paramount Pictures), “Terminator: Dark Fate” by Tim Miller and James Cameron (20th Century Fox, Paramount Pictures, Lightstorm Entertainment), “Mortal Engine”s by Peter Jackson (MRC/Universal Pictures), “Alita: Battle Angel” by Robert Rodriguez and James Cameron (Twentieth Century Fox), “Tomb Raider” by Roar Uthaug (Warner Bros./GK Films), “The Dark Tower” by Nikolaj Arcel and Ron Howard (Sony/Columbia Picture), “Distance Between Dreams” by Red Bull.
Thrilled by the role I covered at Tom Holkenborg’s studio, I immediately felt privileged. I worked closely with Tom on movie suites and demos, composing numerous cues independently. Over time, I took on larger responsibilities, eventually handling substantial portions of film scores. After four years, Tom and I agreed it was time for me to pursue my own career in film music. Tom was not only a mentor but also a close friend. I formed strong bonds with other assistants who joined later.
My first project as a freelance composer was still alongside Tom. In 2020, I worked as the sole additional composer on “Godzilla vs. Kong” by Adam Wingard (Legendary Entertainment and Warner Bros.). With this project, I had the chance to work independently throughout.
In 2021, I began collaborating as an additional composer with the renowned Pinar Toprak (“Captain Marvel,” “Krypton,” and “Stargirl”). It’s been a blessing to work alongside her from the start. My music can be heard in movies like “PAW Patrol: The Mighty Movie” by Cal Brunker (Paramount Pictures), “The Lost City” by Aaron Nee and Adam Nee (Paramount Pictures), “Shotgun Wedding” by Jason Moore (Lionsgate), “NFL Thursday Night Football” series (Amazon Prime), and other projects.
In 2022, I started working as an additional composer alongside Henry Jackman (“Jumanji” saga, “Kingsman,” and “Kong: Skull Island”), providing additional music movies like “Strange World “by Don Hall and Qui Nguyen (Walt Disney) and “Red One” by Jake Kasdan (Amazon Prime).
Recently, I joined Tom Holkenborg as a credited co-composer on an equal level for writing the music score for the blockbuster movie “Godzilla vs. Kong: The New Empire” by Adam Wingard (Legendary and Warner Bros.). Even weeks after its release, the movie continues to hold the number one position at the worldwide box office.
What do you find most rewarding about being a creative?
Being an artist or creative is a gift. Personally, I think creativity has a powerful influence on various aspects of human beings, offering significant opportunities to those who are willing to explore its depths. Artists and creatives view the process of creation as more than a process. It is an expression of self, a vehicle for connection and a source of immense meaning and significance.
To me, the ability to express oneself genuinely is at the core of artistic pursuit, and this is one of the most beautiful aspects of human nature, especially if we consider how creativity allows artists to express themselves beyond conventional communication in terms of emotions, thoughts, and perspectives. Whether it’s painting, music, writing, or any other form of art, artists or creatives can express the complexities of their inner worlds, establishing a deep connection with themselves and their audience.
I strongly believe that the power of art is beyond language and cultural barriers, which is one of my core philosophical beliefs. Through their art, artists can trigger emotions, generate thoughts and why not, inspire change. Being able to feel that their creations have deep meaning to someone else and are even contributing to positive evolution can be a deeply rewarding experience for artists. Honestly, this aspect is so intriguing to me. When we create music, our ultimate destination is always the audience. They will hear what we have created during solitary moments in our rooms, and in doing so, our art has the chance to touch their emotions. In my view, developing this ability to impact people’s feelings and humour is the most potent aspect of creativity.
The road to creation is filled with many challenges, where triumphs and defeats alternate. Creatives can learn from their failures the more they experience defeats. There is always a learning curve, a neverending process that helps artists to appreciate and understand their journey. When artists bring their creative visions to life, they feel a profound sense of achievement. Every accomplishment, no matter how big or small, signals their dedication, perseverance, and artistic ability. A creative journey is a process of growth and exploration that never ends, during which artists constantly challenge themselves, push boundaries, and sometimes embrace new ideas and techniques. Through each task, they have the chance to learn, experiment, and discover themselves, increasing their passion for innovation and evolution.
Moreover, in my humble opinion, teamwork is essential to a productive workplace, where everyone can lend a hand to each other, creating a familiar, comfortable, and trusting atmosphere. Art creation is promoted in communities of people who share the same passions. Artists benefit from these collaborative groups in terms of relief, support, and inspiration, and they also build valuable connections and relationships with other artists. By sharing experiences, receiving constructive feedback, and working collaboratively, they enrich their artistic journey and develop a sense of belonging.
It is also well known how artists show what’s happening in society through their art. They share the feelings, ideas, and events of their time in any kind of art like paintings, music, writing, dancing, acting etc. This helps people understand history better and see different perspectives. For artists, it’s rewarding because they can express themselves and connect with the past, finding inspiration and comfort in it. Their work becomes a part of our history, telling stories that link us to the past, present, and future, and making our understanding of the world richer.
Is there mission driving your creative journey?
I’m motivated by a multitude of passions and aspirations that drive my creative journey. For me, curiosity is the foundation of creativity. I’m on a continuous quest to learn, explore, and absorb new musical influences and techniques regarding sounds and combinations of different elements. I’d like to consider myself like a sponge, always looking for new knowledge and experiences. But at the same time, I’m deeply loyal to my roots. Sure, I love diving into new techniques and experimental sounds, but there’s something magical about a full-blown orchestra that just speaks to my soul. There’s something magical about the symphonic sound that resonates deeply within me, and I’m committed to capturing its power in my compositions.
Emotions play an important role. Music is a universal language that has the unique ability to evoke profound emotions and touch the depths of our souls. My ultimate goal and desire as a composer are to create music that transcends mere notes and rhythms, reaching out to touch the hearts of audiences. Whether it’s joy, sadness, love, or nostalgia, I aim to build intricate patterns of emotion that remain long after the music has stopped playing.
Composing isn’t just a job for me; it’s my life’s purpose, what makes me who I am. I am deeply passionate about the profession, and I consider myself incredibly fortunate to be able to earn a living doing what I love. Every note I write is infused with dedication and purpose, as I aim to carve out a sustainable career path in the competitive landscape.
Collaboration is key to growth and success in any creative endeavour. I enjoy the opportunity to connect with fellow artists, filmmakers, and industry professionals, expanding my network and building meaningful relationships along the way. Each new encounter enriches my perspective and opens doors to exciting new points of view and visions.
Collaboration isn’t just about networking; it’s about forming genuine connections with like-minded individuals who share a common passion for creativity. I’m a firm believer in the power of teamwork, surrounding myself with friends and collaborators whose diverse talents complement my own. Together, we form a formidable ensemble, each contributing our unique skills and perspectives to the collective tapestry of our projects.
Let’s talk about passion. It’s the fuel that keeps my creative engine roaring, the spark that ignites every note I write. Amidst the challenges and demands of the industry, I never lose sight of the sheer joy and fulfilment that music brings to my life. Every moment spent in the creative process is a celebration of passion and purpose, igniting the flames of inspiration that drive me forward. As I continue to write, compose, and create, I remain steadfast in my commitment to keeping the fire of passion ablaze, infusing every note with the pure, unbridled joy of artistic expression.
Composers’ ultimate goal is always the same: to become the solo or lead composer of their projects, working with influential people, executives, directors, and bringing their own voice to these crowded fields. As a result, I would like to apply this aspect to my ambitions and desires as well. Full-time dedication is required, a path steeped in sacrifice and hard work. My life has already been filled with sacrifices along with hard work, and I am willing to keep going like this since I have music by my side.
Contact Info:
- Website: https://www.antoniodiiorio.com/
- Instagram: https://www.instagram.com/antonio.di.iorio_composer/
- Facebook: https://www.facebook.com/antonio.d.iorio.31
- Linkedin: https://www.linkedin.com/in/antoniodiiorio/
- Twitter: https://twitter.com/AntonioDiIorioC
- Youtube: https://www.youtube.com/@antonio-di-iorio/featured
- Other: https://soundcloud.com/antonio-di-iorio
Image Credits
Wojciech Wandzel Amy Sussman