We were lucky to catch up with Adriana Reyes Vázquez recently and have shared our conversation below.
Hi Adriana , thanks for joining us today. Did you always know you wanted to pursue a creative or artistic career? When did you first know?
In my childhood, I noticed that I had a distinction for seeing things in a beautiful and aesthetic way, I paid attention to each of the details of objects or common places, for someone small what I sought was to portray them, in drawing, painting. Something like taking a “photograph” from your head and embellishing it from your essence. My mother always bought me journals to write in and I ended up scratching them with everything I saw.
Adriana , love having you share your insights with us. Before we ask you more questions, maybe you can take a moment to introduce yourself to our readers who might have missed our earlier conversations?
My name is Adriana Reyes, I am from Mexico Veracruz and I am currently 20 years old. Well, I came to graphic design and the world of tattoos thanks to a constant discipline that I put on myself to improve my artistic side. Many people tell you that you are born with a gift and that is not true, you are born with interest and what is up to you is to polish your skills to a point where you can make them a business, a new point of view, but above all achieve your personal goals. The university is also a great factor of knowledge that I have, there they taught me through graphic design, that nothing is ugly or beautiful, you simply see if it is functional or not. In tattooing I try to apply the same, although here aesthetics, technique and durability are important. I try to make it functional for each client, that they like it, that they don’t just seek to replicate a tattoo they saw online but rather to put a little bit of who the individual is about.
I think that is what gives me a distinctive, I try to redesign something that a client gives me, to polish it in the best way according to their personality, their tastes, etc. I want to empathize and that they have a good experience with this, that they feel comfortable with me if I were a friend, but without losing the line of professional respect. My clients know my work, I create pointillism, bizarre, blackwork, Japanese, anime, fineline, grunge, traditional, neotraditional, etc. I am open to many styles, however the one I do the least is realism.
Any resources you can share with us that might be helpful to other creatives?
the idea of knowing that we all have talent, we have to learn not to obsess and believe in our abilities, not belittle ourselves. Instead of envying someone because they do a better job than us, we have to admire, improve, care about our own knowledge, see it from a better point of view than “outperforming someone” As for the material, always carry a camera, all work you do serves as a folder of evidence, take photos of your sketches, your finished and formal works. Everything works, later, thanks to that they can select the best you have for a permanent job.
Is there mission driving your creative journey?
I have a characteristic style for being aggressive. Not in all cases, but since I have been at university it is what I have worked on the most, both in posters, digital illustrations, tattoos, photography, etc. Despite that, I also found a totally different contrast to my style for soft illustrations for children. In my Editorial Design subject, I discovered one of my future goals. I would like to design, illustrate and create normal and interactive books for young children. With more experience and knowledge, I would also like to include an exclusive section of books with interactions for children with disabilities. I also had experience with magazines, my topic was naturist plants and it was made from scratch, taking photographs, its editorial design, grid, fonts, colorimetry. Without a doubt it was an incredible experience that I would like to repeat and dedicate myself to.
Contact Info:
- Instagram: @thegrdnoftatto @scarletinthegrdn
Image Credits
Adriana Reyes Vázquez