Today we’d like to introduce you to Kathleen Beausoleil.

Hi Kathleen, please kick things off for us with an introduction to yourself and your story.
I always wanted to be an artist. I did RISd pre- college, graduated from Syracuse University with a BFA in painting. Following that, I pursued a career as a textile designer for several years before enrolling in grad school at SUNY Empire State College. During my time there, I took a hiatus and relocated to Montana for two years, fully immersing myself in my artistic pursuits while also participating in various residencies. Upon returning to New York, I resumed my studies at the school, but unfortunately, my program was discontinued.

We all face challenges, but looking back would you describe it as a relatively smooth road?
They say we glean more wisdom from our setbacks than our successes, and I’ve certainly collected my fair share of hard-won lessons. Following a 13-year break from gallery exhibitions to prioritize my family, I continued to paint by focusing mainly on improving skills and commissioned pieces. During this period, I refined my ability to draft a solid commission contract and manage client interactions. It was a time marked by trial and error, where I navigated the challenges of running an art business. Yet, amid the stumbling blocks, one thing persisted: my dedication to ongoing learning and skill refinement.

Alright, so let’s switch gears a bit and talk business. What should we know about your work?
I create paintings that delve into human social interaction and the territorial instincts that drive crowd behavior. At the heart of my work lies a fascination with how people organize and form communities.

While individuals often perceive themselves as uniquely distinct personalities, a closer examination reveals our innate social nature. We are biologically wired for social interaction and tribal behavior, both in public and familial settings. The behavior of groups within these contexts offers profound insights into the prevailing culture. By observing and documenting these dynamics, we gain a deeper understanding of our cultural identity.

In my latest series, “The Fair,” I concentrate on a specific collective cultural event that holds personal significance and likely resonates in every small American town.

Through oil paintings on canvas and panel, I explore the complex yearning for belonging that we often pursue but frequently feel disconnected from. My paintings foster a sense of communal strength and love and serve as a conduit to connection.

Alright so before we go can you talk to us a bit about how people can work with you, collaborate with you or support you?
I paint community. People can support me by sharing my work, following my on social media, engaging with my or buying a painting. I mentor students and curate / judge shows.

Contact Info:

• Website: https://www.kathleenbeausoleil.com/
• Instagram: https://www.instagram.com/kathleenbeausoleil/
• Linkedin: https://www.linkedin.com/in/kathleen-beausoleil-8594735/