Today we’d like to introduce you to Jean Rim

Hi Jean, so excited to have you on the platform. So before we get into questions about your work-life, maybe you can bring our readers up to speed on your story and how you got to where you are today?

Thank you so much for inviting me here to share my story. I am a Korean-American artist based in NYC and Seoul, my journey with art began when I immigrated here as a child and language was difficult but I could always draw and with that skill I connected with people. My work is deeply inspired by the traditional Korean craft of najeonchilgi, where artisans inlay mother-of-pearl into lacquerware. I’ve taken this rich heritage and transformed it into a contemporary art form by carving paint, creating intricate, layered pieces that reflect my cultural roots and personal experiences. As I carve out my niche in the art world, I am also working to build a brand and business around my unique style, striving to maintain my artistic integrity while navigating the challenges of the commercial art world.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?

Establishing and maintaining relationships with galleries, collectors, and other artists is crucial but requires significant effort and emotional investment. Navigating the fine line between maintaining my artistic integrity and creating work that sells can be challenging, as it’s crucial to stay true to my vision while also meeting market demands. Balancing the creative process with the business side of art, including marketing, networking, and administrative tasks, can be overwhelming and time-consuming. Even with commercial success, financial stability can be unpredictable, and managing finances, dealing with fluctuating income, and planning for the future are ongoing concerns. Additionally, gaining and maintaining visibility in a crowded and ever-changing market requires continuous effort and strategic promotion.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?

I am currently exhibiting alongside my art sheroes, Howardena Pindell and Polly Apfelbaum, as well as 44 other brilliant artists who step outside traditional painting methods or create painting-adjacent work. This exhibition, titled “Painting Deconstructed,” is a must-see and has been featured in the New York Times, Hyperallergic, and Two Coats of Paint. It’s a joy to be part of such an incredible group.
This year, I also participated in the ArtBusan Art Fair with KLAMP Gallery in Seoul, South Korea, and was included in the 60th Anniversary of the Coconut Grove Arts Festival. A solo exhibition called “#WIP, Work In Progress” in Tribeca, NYC at On the Fringe Gallery during Art Frieze Week was sensational. Additionally, one of my pieces was featured by Swati Goorha Interior Design in her showcase at the 49th Annual Kips Bay Decorator Show House in New York. These opportunities have allowed me to connect with a broader audience and further establish my unique approach to art.
I am looking forward to a group vernissage at YOOL Gallery in Incheon, South Korea this August 17th, 2024, where they will showcase a few of my favorite pieces from the studio.
I am currently working on new pieces for two solo exhibitions in 2025. In January, I will be returning to Seoul, South Korea, to exhibit with Fine Paper Gallery working with Curator and Art Advisor Hyunyo Choi. Then, in July, I will have a solo show at J. Gernon Gallery in Troy, New York. It is all very exciting!

What matters most to you? Why?

Time. I need more time. Artists need time. I once asked Jerry Saltz how to create more time, and he answered, “Find a job that allows you four days in the studio.” But is that enough? I once had a teacher at Parsons School of Design say that sometimes it’s not just studio time artists need; they need time to fantasize and dream. Often, it starts with an idea, and then there are times when I have to finish what I’ve started.
The second challenge is the constant Tetris game in my studio. It’s not always about needing more space or time; it’s about being wise with what I have. This is a practice.

Contact Info:

• Website: https://www.jeanrim.com
• Instagram: www.instragram.com/jeanrimart