Today we’d like to introduce you to Daniel Vasquez

Hi Daniel, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?

Embarking on my journey as a self-taught photographer followed my graduation from college, where I initially worked part-time at Sony’s Playstation retail store. The employee discounts at Sony enabled me to acquire my first camera, the Sony A55. Beginning with capturing the essence of my daily life in New York City, I ventured to diverse locations like 5Pointz in Long Island City. My lens documented not only friends, family, and college basketball games but also the myriad moments that unfolded in this dynamic city.

Despite earning a degree in finance, the allure of international banking and capital money markets faded in comparison to my fascination with the creative realm of marketing. This realization crystallized during my tenure at PlayStation, a haven of playfulness and creativity. Wall Street’s appeal waned, leading me to transition to the camera department while simultaneously receiving offers to photograph events—an opportunity I wholeheartedly embraced.

My photographic journey encompasses a broad spectrum of subjects, allowing me to share spaces with diverse individuals. From capturing intimate moments like weddings and family gatherings exuding positive energy to documenting corporate events, I focused on narrating compelling stories through imagery. In fashion shoots, collaboration took center stage, involving makeup artists, hair stylists, and designers working harmoniously to showcase their creations through models. The diversity in my clientele has significantly contributed to both my growth as a photographer and as a human being.

At this juncture in my development, I yearn for more time to dedicate to my personal work and the stories I wish to tell. The recent launch of the Frame of Mind Project, in collaboration with my studio partner Andrew Fennell at Studio3KBK, signifies a commitment to providing guidance and resources to younger individuals. Having stumbled into photography post-college, I ponder how mentorship and early exposure to photography might have altered my trajectory.

My passion lies in the profound interaction with people, capturing their stories, from Battle Rap events to the performing arts and individual portraits. I take pride in the enduring impact of some of my images, as they find a home in esteemed publications such as the New York Times and Playbill. As I navigate this juncture, I am driven by a relentless commitment to storytelling through my lens.

Can you talk to us a bit about the challenges and lessons you’ve learned along the way. Looking back would you say it’s been easy or smooth in retrospect?

As a self-taught photographer, transitioning from a hobbyist to a professional came with numerous challenges, particularly on the business side. Navigating contracts, negotiating terms, and understanding image licensing were all complex aspects that went beyond basic business principles. Although I attended business school, the specific business acumen required for a successful photography career demanded much more. Fortunately, I was able to have transparent conversations with other photographers early on, allowing me to learn and grow along the way. Their insights and support were invaluable as I navigated these new waters and developed my own approach to the business side of photography.

Now that I am a more experienced photographer, another challenge I face is staying true to the artist I see myself as, rather than falling into the “content creator” category that photographers and other visual artists are increasingly labeled as. This is especially pertinent as I primarily work in genres of photography that could be seen as “fast fashion”—events, concerts, and other in-the-moment highlights. Balancing the demand for quick, trendy content with maintaining my artistic integrity is an ongoing struggle, but it’s essential for preserving the authenticity and depth of my work.

As you know, we’re big fans of you and your work. For our readers who might not be as familiar what can you tell them about what you do?

My name is Daniel J Vasquez—I include the initial “J” to distinguish myself in Google searches and ensure proper SEO, which is something I’ve picked up along the way. I like to think that I am known for being a very welcoming photographer. I photograph 99% people, and the majority of the feedback I receive highlights how enjoyable the experience is.

My main focus in photography is music, events, and portraits. While there are many amazing photographers who create truly remarkable work, I believe what sets me apart is my personality and how easy I am to work with. I strive to create a comfortable and enjoyable atmosphere for my clients, which enhances the overall experience and helps produce authentic, compelling images.

Most people know me for my concert photography. Some of my favorite moments recently have been documenting Hip Hop 50 at Yankee Stadium. That was a truly surreal experience. Capturing Big Sean & JT’s album release parties recently have been fun NYC nights to be apart of. Documenting Lil Kim & Friends and Fat Joe & Friends, both at the Apollo in Harlem, was another concert series I truly loved being a part of.

One of my favorite moments ever was getting a small RV with my guys and traveling halfway across the country for artist 360ismusic to open for a young Nipsey Hussle (RIP). Those moments I will cherish forever.

I’ve truly been blessed to experience some amazing moments. Outside of music, I’ve had the privilege of photographing Serena Williams at the US Open, documenting a 350+ mile run through the Atacama Desert in Chile, and, of course, capturing the intimate moments of my daughter throughout the years.

We’re always looking for the lessons that can be learned in any situation, including tragic ones like the Covid-19 crisis. Are there any lessons you’ve learned that you can share?

Just like everyone else, especially freelancers, the Covid-19 crisis brought significant concerns about bills and income. I was fortunate to have a few clients who kept me on retainer, even though I wasn’t producing work at the time. During those tough times, I found that focusing on community became crucial.
I connected with fellow photographers and creatives on platforms like Clubhouse, where we shared our insights and struggles. This sense of community not only provided emotional support but also led me to discover grants and other opportunities that I probably would have never pursued if it weren’t for the pandemic. The experience taught me the importance of leaning on and contributing to a creative community, especially during challenging times.

Contact Info:

• Website: https://www.danieljvasquez.com
• Instagram: https://www.instagram.com/danielvasquezphotos
• Facebook: https://www.facebook.com/Danieljvasquezproductions
• Twitter: https://x.com/danielvphotos
• Other: https://www.threads.net/@danielvasquezphotos

Image Credits

© Daniel J Vasquez / @DanielVasquezphotos