We recently connected with Nadia Stieglitz and have shared our conversation below.

Nadia, thanks for joining us, excited to have you contributing your stories and insights. How did you learn to do what you do? Knowing what you know now, what could you have done to speed up your learning process? What skills do you think were most essential? What obstacles stood in the way of learning more?

I am primarily a self-taught artist. My artistic journey began in 2019 when my kids gifted me a hand building class at a local pottery studio. Those initial classes sparked a passion within me for clay and sculpting. During the Covid-19 lockdown, I set up a makeshift studio on my kitchen table, allowing me to dedicate more time to experimenting and practicing ceramics. I sought out online resources, such as tutorials and forums, to learn new techniques and expand my knowledge of the art form. Through countless hours of practice and exploration, I honed my skills and discovered my unique artistic style.

Looking back, if the pandemic hadn’t occurred, I would have taken classes at renowned art centers and schools on the East Coast, such as Haystack, Penland, and Arrowmont. However, learning independently allowed me to develop my own artistic voice and embrace the limitations as catalysts for creativity.

Courage and determination were essential skills throughout my artistic journey. (not sure these are “skills”). As someone without a traditional art background, I had to overcome the fear of being a beginner and learning on my own. I pushed myself to continuously practice and improve my craft. Additionally, my rebellious spirit and willingness to challenge norms and conventions allowed me to break free from traditional pottery techniques and create unique, unconventional pieces.

The lack of accessibility to formal education and the cost associated with it were notable obstacles. However, I was driven by my passion and aligned with my artistic pursuit, which helped me overcome these challenges. Ultimately, my limitations became a source of inspiration, fueling my determination to pursue this art form and pivot my professional life into becoming an artist.

Great, appreciate you sharing that with us. Before we ask you to share more of your insights, can you take a moment to introduce yourself and how you got to where you are today to our readers.

Before becoming an artist, I spent a decade working in publishing in New York City and London. Following that, I worked as a creative and innovation consultant in Europe for five years. When my family and I moved back to New York, I began painting on my own and eventually founded a company called Mice at Play, which focused on reconnecting women with their playful selves through various events. I also served as the director of programming for the Center for Women in Charleston. During the pandemic, I discovered my passion for ceramics and started creating sculptures from my kitchen table.

I specialize in creating abstract clay sculptures, with a particular focus on abstract biomorphic forms. My sculptures combine elements of the human body with organic shapes, exploring the psychology of space and its impact on the human psyche. By incorporating references to women, my art invites their presence and empowers viewers. Drawing inspiration from the natural shapes and patterns of the French Alps, where I was raised, I create a harmonious blend of human and natural elements. Through my sculptures, I aim to foster appreciation for the beauty in both realms and spark contemplation about our interconnected existence.

I aim to create meaningful narratives that resonate with viewers on a deep level. I don’t simply aim to create decorative objects; my goal is to craft artworks that have profound meaning and purpose. When you bring one of my sculptures into your home, it becomes more than just a piece of decoration. It becomes an object that makes people feel good, soothing and inspiring them. Additionally, my sculptures serve as a powerful reminder of the strength and capabilities of women. I challenge traditional notions and pushing the boundaries of form and function. By redefining the boundaries of vessels and transforming our perception of space, I offer clients an innovative artistic experience that stimulates new perspectives. Each sculpture I create is a testament to the transformative power of art. Moreover, my sculptures engage the viewer’s tactile senses, inviting them to physically interact with the forms, textures, and patterns. This tactile experience adds another layer of depth to the artwork, creating a more intimate and immersive connection with the viewer. In essence, my goal is to go beyond mere decoration and create art that has profound meaning and impact. I want my sculptures to evoke emotions, provide solace, and serve as a constant reminder of the power and resilience of women. By merging artistic expression with a deeper purpose, I strive to create artworks that not only adorn spaces but also inspire and empower individuals.

How about pivoting – can you share the story of a time you’ve had to pivot?

I pivoted several times in my life.

In 2004, I left publishing to work as a consultant of creativity and innovation for corporations.

In 2010, I decided to create my own business focused on the science of play and providing an outlet for women to reconnect with their playful selves for their well-being. It was a challenging endeavor, especially in a culture that heavily emphasizes work and often views leisure time as laziness. Women often feel guilty about taking time for themselves. Despite these obstacles, our innovative work gained recognition and made a significant impact. We were featured in The New York Times, with reporter Brigid Schulte, author of “Overwhelmed: How to Work, Love, and Play When No One Has the Time” highlighting our efforts. Our work also received attention from Psychology Today and NYC TV. It was fulfilling to see how our work positively changed lives.

And in 2021, as mentioned previously, I decided to become a clay sculptor, despite having no previous inclination toward pottery or ceramics. I discovered thismedium that allowed me to express my voice, creativity, and emotions in ways I had never imagined before.

What do you think is the goal or mission that drives your creative journey?

My primary goal is to make a living from my art while continuously expressing my unique vision and emotions. I appreciate the entrepreneurial aspect of being an artist, as it allows both sides of my brain to work together. With the tools available today, artists have more opportunities to carve their own path and be in control of their artistic journey. I aim to keep evolving as an artist, consistently learning and growing, while also sharing my knowledge with others. Additionally, I aspire to apply to various competitions and exhibitions to showcase my work alongside artists I admire, such as participating in the Biennale and art shows in cities like Paris, NYC, LA, and Miami. Above all, I want to have fun throughout this journey. It is incredibly liberating to pursue something that aligns so perfectly with my passion and sense of purpose.

In parallel to my artistic endeavors, I got a scholarship in Venice that will provide me with invaluable mentorship and guidance. This project, titled ‘Sculpting the Elements,’ aims to give center stage to 3D art works and craft skills that are now used by artists to create fine art. I feel honored to have been recognized by the European Cultural Academy as a finalist, and their support through the scholarship will be instrumental in bringing this project to life.

Furthermore, I am committed to fostering a sense of community among artists in Charleston. I believe that we, as artists, can benefit greatly from supporting and collaborating with one another. In Charleston, where artists often feel isolated compared to cities like NYC or LA, I envision creating a group of artists who can provide mutual support and opportunities for collaboration. Through this organization, we would organize business classes, mastermind sessions, and exhibitions to promote our work and advocate for the arts in our city. By creating a vibrant and supportive artistic ecosystem in Charleston, we can collectively contribute to the growth and recognition of the arts in our community.

In summary, my journey as an artist is driven by the desire to make a living from my art, continuously express my unique vision, and create meaningful connections with other artists. From pursuing a scholarship in Venice to develop my ‘Sculpting the Elements’ project, to fostering a supportive artist community in Charleston, I am dedicated to pushing the boundaries of my artistic practice, sharing my knowledge, and contributing to the broader art world. With each step, I strive to create art that resonates deeply, inspires others, and reminds us of the power of women and the beauty of our shared human experience.

Contact Info:

• Website: NadiaStieglitz.com
• Instagram: nadiastieglitzstudio

Image Credits
Some are from Belathée Photography. https://belathee.com. Some are mine.