We were lucky to catch up with Joseph Johnson recently and have shared our conversation below.

Hi Joseph, thanks for joining us today. How did you learn to do what you do? Knowing what you know now, what could you have done to speed up your learning process? What skills do you think were most essential? What obstacles stood in the way of learning more?

When I initially developed an interest in making music, my parents provided strong encouragement, with the condition that I seek guidance from someone more knowledgeable. This conventional approach to learning an instrument and subsequently delving into songwriting is widely accepted. While I didn’t inherently oppose this method, I had mixed feelings about it from an early age. Nevertheless, I decided to enroll in piano lessons. I persevered with the lessons for a year or two before eventually quitting and prioritizing self-directed skill development.

Taking that initial step away from societal expectations was a pivotal moment for me, even though it occurred before I began writing music. Once I distanced myself from the fundamentals-focused approach, I found greater enjoyment in playing the piano during my free time. Gradually, I began composing my own music without excessive concern for music theory or reading sheet music. As time went on, I gradually reintroduced myself to essential instrument techniques and even advanced skills, thereby elevating my songwriting abilities.

While this method and approach may not suit everyone, had I not taken the chance to work in a manner that I felt was effective, I doubt I would have continued learning to play instruments. The biggest obstacle I faced was the occasional lack of belief in my ability to acquire lifelong skills independently, as doubts can arise over time.

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?

For those unfamiliar with my overall endeavors, I am the proprietor of my own independent DIY label and I manage and perform in the band called Stoney Point. I am responsible for every aspect of our work, including writing, recording, mixing, and mastering all the sounds you hear. Additionally, I design the album covers and even handle the photography, which has become a distinct trademark of the band. I capture skies and empty suburban landscapes, often focusing on symmetry or the intentional lack thereof.

When it comes to merchandise, I handle everything entirely on my own. If it’s related to Stoney Point, it’s safe to assume that I am the sole driving force behind it. This mindset stems from my approach to learning instruments and songwriting. Currently, my label Morningrise represents three artists: Stoney Point, 24hr Video, and Cleo Bunni. However, we have plans to expand our roster for the upcoming 2024 season.

At Morningrise, we operate a small 5″ record lathe that produces low-fidelity boutique records. These unique records are crafted from a compound of paint and glue, allowing commissioned artists to create one-of-a-kind colored vinyl. In addition to vibrant colors, Morningrise has incorporated Dead Leaves into 24hr Video’s records and glitter into Stoney Point’s records. This level of creative flexibility is offered at an affordable cost and in limited quantities, supporting artists of similar scale who are venturing into the independent realm. Morningrise does not require any contracts or claim master rights to produce vinyl, and we have even undertaken free runs in the past.

I take great pride in our merchandise offerings for smaller musicians, as I firsthand understand the desire to have one’s music available in physical format as an emerging artist, without the frustration of compromising artistic integrity or facing exorbitant expenses.

Morningrise distinguishes itself from most operational labels through our genuine care and passion for the artists we work with. As for Stoney Point, I aspire for the band to be seen as an ever-evolving entity, constantly exploring new musical territories. Even if there is occasional backlash for experimenting with different styles, it will not discourage me. While I hold deep affection for the sounds explored in “Some Things Last a Long Time,” it would be impossible to replicate that exact experience. Stoney Point is here to stay, and you can anticipate a continuous stream of releases, perhaps even in a similar fashion to the prolific output of King Gizzard and the Lizard Wizard.

What can society do to ensure an environment that’s helpful to artists and creatives?

Investing time and energy in local small music scenes can be incredibly rewarding for average individuals. These grassroots musical communities, often hidden gems within cities or towns, offer distinctive experiences and opportunities that are worth exploring. By immersing themselves in these scenes, people can actively support local artists, uncover new sounds, and contribute to the vibrancy and growth of their community.

One captivating reason to engage with local small music is the opportunity to witness raw talent and artistic authenticity. These scenes serve as nurturing grounds for emerging musicians who are refining their skills and discovering their artistic identity. Attending live performances in intimate venues allows average individuals to experience the energy, passion, and vulnerability that come with witnessing artists in the early stages of their careers. It establishes a personal connection with the music and the individuals behind it, fostering an appreciation for the creative process and the dedication required to pursue a musical path.

Moreover, local small music scenes often embrace a diverse range of genres and styles, catering to various musical tastes. Whether it’s indie rock, folk, jazz, electronic, or experimental, it’s likely that local artists within these scenes are pushing boundaries and offering fresh interpretations of familiar genres. Engaging with local music expands horizons, uncovers hidden gems, and breaks away from mainstream trends. It provides an opportunity to support and celebrate artistic exploration while connecting with like-minded individuals who share a passion for music.

In addition to the artistic and cultural benefits, investing in local small music contributes to the economic sustainability of a community. By attending shows, purchasing albums and merchandise, and actively supporting local artists, individuals directly bolster the local economy. This support enables artists to continue creating and performing, ultimately enhancing the overall cultural landscape of the community.

Furthermore, engaging with local small music scenes fosters a sense of belonging and connection. These scenes often cultivate tight-knit communities where musicians and fans can form meaningful relationships. Regularly attending shows, getting to know local artists, and interacting with fellow music enthusiasts facilitates connections that extend beyond the music itself. It offers a chance to be part of something larger and contribute to the growth and success of the local music ecosystem.

In conclusion, average individuals should consider investing in local small music scenes for the exceptional experiences, the discovery of new sounds, the support of local artists, the economic impact, and the sense of community it brings. By actively participating in these scenes, individuals can make a difference in musicians’ lives and contribute to the creative ecosystem.

We’d love to hear a story of resilience from your journey.

Navigating through multiple abusive relationships and enduring traumatic losses during the early stages of Stoney Point and Morningrise was a significant challenge. At the beginning of 2020, when I was revitalizing Stoney Point, I experienced the loss of close friends and a family member. This profound grief deeply affected me and it took months to rebuild my self-confidence and embrace the new, more ambient sound I had envisioned for my band.

Previously, I had catered to my school’s musical preferences by blending alternative rock and hip-hop. However, I knew that by pursuing the new direction I had in mind, I would essentially be severing ties with the fan base I had spent the first three years cultivating. Although gradually accepting this reality, the departure of fans and friends proved to be more isolating than I had anticipated, leaving me feeling alone.

Nonetheless, in 2021, I found the courage to pursue the raw sound that I had always dreamed of. However, due to a lack of confidence and a challenging period lasting two years, I narrowly missed my deadline to submit the album masters, resulting in a delay until 2022. Fortunately, after the release of “My Guardian Angel is a Ghost,” which garnered notable success on a smaller scale, I experienced a surge of creative empowerment.

Spending approximately ten months in the studio, I meticulously crafted an EP titled “Calling it Back” and an album called “Some Things Last a Long Time.” “Some Things Last a Long Time” was released on schedule, accompanied by a visually stunning album and received critical acclaim from music blogs. This marked a significant turning point for Stoney Point, solidifying it as our most successful project to date.

Throughout the challenging journey, I faced personal setbacks, emotional turmoil, and self-doubt. However, perseverance, resilience, and a renewed sense of creativity allowed me to overcome these obstacles and deliver music that resonated with both myself and the audience.     

Contact Info:

• Website: https://stoneypointband.bandcamp.com/
• Instagram: https://www.instagram.com/stoneypointband/
• Twitter: https://twitter.com/stoneypointband
• Youtube: https://www.youtube.com/c/StoneyPoint
• Other: https://linktr.ee/stoneypointband https://subgenreblog.com/blog/1tjehhrmldyy85bbhk3b7485cp7h5n

Image Credits
AJ JJ Joseph Johnson