We recently connected with Bella Han and have shared our conversation below.

Bella, looking forward to hearing all of your stories today. Are you happy as a creative professional? Do you sometimes wonder what it would be like to work for someone else?

I think about this almost every day. While many illustrators feel certain about their path, I’ve always had second thoughts, especially in a time when AI can generate images so quickly. It sometimes makes me question the future of illustration and whether a more stable job might make life easier. I’ve explored other paths like curating, teaching, and even working outside the art field, but I always find my way back.

What keeps me here is the meaning behind making something slowly. When an image can be created instantly, the time, effort, and thought behind a handmade drawing feel even more valuable. A piece of art carries not only an idea, but also the artist’s emotions, background, and the culture they grew up in. I love experiencing art like a quiet investigation, trying to sense the person behind it. And as a creator, I enjoy using my work to share my own thoughts, feelings, and lived experiences.

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your background and context?

I’m currently an MFA Illustration student at School of Visual Arts in New York. I specialize in editorial and book illustration, working on both short- and long-term projects. I’ve collaborated with clients including Oxford University Press and the Folio Society, creating illustrations, IP character design, and product-based visuals for cultural and publishing contexts.

My work is rooted in careful observation and storytelling. I build images through fine linework and layered details, often embedding subtle narratives within larger scenes. This approach allows my work to feel visually rich while inviting viewers to slow down and engage more deeply.

I’m particularly interested in creating imagery that balances realism and imagination, making complex ideas feel approachable and visually engaging. I aim to provide clients with work that is not only distinctive in style, but also thoughtful in concept and strong in narrative clarity.

What sets my work apart is the level of attention and intention behind each piece. I value the process as much as the outcome, ensuring that every project carries both visual impact and meaningful content.

Learning and unlearning are both critical parts of growth – can you share a story of a time when you had to unlearn a lesson?

One lesson I had to unlearn was the idea that you shouldn’t present yourself or your work unless you are fully prepared. Growing up, I was taught that showing something unfinished or imperfect could reflect badly on both you and the group you represent. I believed this for a long time, and it held me back from introducing my work to new people or putting myself forward.

Over time, I realized the worst outcome is usually just someone saying no. You’re never going to feel completely ready, and opportunities don’t wait for you to be.

A turning point for me was my undergraduate thesis show. My work wasn’t perfect, but I still approached the chair of the Illustration MFA program at School of Visual Arts and asked for honest feedback. That conversation stayed with him, and a month later, I received my graduate offer.

That experience shifted my mindset. I learned that putting your work out there, even when it feels unfinished, always gives something back, whether it’s feedback, connection, or simply being remembered.

Are there any resources you wish you knew about earlier in your creative journey?

I wish I had known earlier about art fairs and independent publishing events like MoCCA Arts Festival, New Jersey Book Fair, and Printed Matter. These spaces bring together some of the most active voices in the industry, and they’re often much more approachable than formal networking events.

Compared to dinners or panels, these fairs create a more natural environment to connect and exchange ideas. For a long time, I would just go as a visitor and focus on buying things. Looking back, I wish I had treated them as opportunities to introduce myself. Now I always bring simple promo materials like postcards or business cards, and try to start conversations. It makes a big difference.

Contact Info:

• Website: https://dearbellasforest.com
• Instagram: dear_bellasforest
• Linkedin: https://www.linkedin.com/in/bella-han-1436222aa/