We caught up with the brilliant and insightful Facundo Agustin a few weeks ago and have shared our conversation below.
Facundo, appreciate you joining us today. We’d love to hear about a project that you’ve worked on that’s meant a lot to you.
One of the most meaningful projects I’ve ever been part of was “On Your Feet!”, the musical that brings to life the extraordinary journey of Gloria and Emilio Estefan.
For me, this show is much more than a production—it is a celebration of the Latinx community. In an industry where our stories are still too few, this musical gives us visibility, pride, and a powerful reminder that our voices matter. Its message of resilience, love, and the courage to rise above every obstacle resonates deeply in my heart.
The music is pure energy and emotion. It connects with every generation, and stepping onstage to perform those songs is a privilege that fills me with joy every single time.
I was fortunate to be part of two different productions of this beautiful show. The first was at a regional theatre in New York, and the second was the second Broadway national tour. Traveling across the country and performing this story more than 100 times was an unforgettable experience—one that shaped me not only as an artist, but also as a person.


Facundo, before we move on to more of these sorts of questions, can you take some time to bring our readers up to speed on you and what you do?
My name is Facundo Agustín, I am an Argentine actor, singer, and dancer, and my artistic journey is the result of years of dedication, curiosity, and a deep love for musical theatre.
My path began in Argentina, where I first stepped onto a stage and discovered that the arts were not only a vocation, but a space where I could express the most authentic parts of myself.
I was fortunate to receive a scholarship to study in the Intensive Dance Program at Point Park University in Pittsburgh, United States—an experience that challenged me to expand my technical foundation.
I also participated twice in the Beyond Workshop Series of R.Evolución Latina, directed by Luis Salgado, after being invited by Mexican music director, composer, and arranger Jaime Lozano.
Later, I was awarded a full scholarship for the Musical Theater Program at Jacob’s Pillow in Massachusetts, directed by the multi-award-winning choreographer Chet Walker.
Each of these formative milestones shaped me not only as a performer but also as a human being.
In Argentina, my credits include Smokey Joe’s Café, Pasión Bohemia, in concert, Yiya, un té musical, and Amardelplata, the sea celebration, among others. I also had the honor of performing as a guest artist for international singer Valeria Lynch at the iconic Gran Rex Theater—an experience that solidified my desire to bring my craft to larger stages.
Since 2017, I have been based in New York, where I have continued building a diverse and fulfilling career. I’ve been part of productions such as Botiquín de Boleros at the Gala Theatre in Washington DC; In The Heights at Bristol Riverside Theatre; and Mummy in the Closet, also at the Gala Theatre, for which I received the BroadwayWorld Washington DC Award for Best Supporting Performer in a Musical (Professional).
I had the honor to be part of the 2nd Broadway National Tour of “On Your Feet! The Musical”, directed and choreographed by Luis Salgado, and with this show I had the pleasure of touring the entire country, meeting Emilio and Gloria Estefan, and doing more than 100 shows.
My work also led me to Teatro SEA, where lately work as the choreographer of the production “The Airplane” and also performed in productions such as A Tango Dancing Cinderella, serving both as actor and assistant director of Dr Manuel Moran, artistic director and founder of the theatre. I also participated in shows like Un tango para Tita, Antigone in Ferguson, among others. Parallel to my theater work, I continue to develop my career as a singer and dancer in events such as the Queer Tango Festival in New York, the 2022 Telemundo Upfront “Turn It Up,” PUNTO SEA Pride Celebration produced by GOTA, A night with dead, among others.
In 2021, I premiered my first work as a director—En el país del encierro, todo es mágico—as part of Micro Theater New York. In 2022, I presented my second work as director and lead actor, No me Arrepiento, at the UNI2 Festival at the Julia de Burgos Center, for which I received the ATI Award for Best Musical Theater Actor.
In 2025 I received the BORIMIX AWARD for my work in art and as part of Teatro SEA representing Argentine artists, in a ceremony celebrating the 20th anniversary of the award, being recognized alongside artists such as Priscilla Lopez, Pedro Giraudo and Rosalba Rolon, among others.
Today, what sets me apart is not only my training or my credits, but the way I approach the craft. To me, musical theatre is a bridge between technique and emotion—an act of presence, discipline, and vulnerability. I consider myself an artist who values collaboration, who respects the ensemble as the heart of any production, and who approaches every project—whether in a principal role or as part of the ensemble—with dedication and sincerity.
And if there is one thing I want new audiences, followers, or collaborators to know, it is this: every performance, every story, and every character I embody comes from a place of gratitude, authenticity, and the genuine belief that art has the power to transform—even if only for a moment—the life of someone watching.


We’d love to hear a story of resilience from your journey.
My artistic journey has been a constant test of resilience, marked by challenges and opportunities that shaped who I am as an artist. As a Latino immigrant in the United States, I had to navigate a new country, facing cultural and legal barriers while striving to have my work recognized.
The scholarships I received to study abroad were the turning point that changed my life.. These experiences not only allowed me to refine my craft, but also showed me that my artistic future could fully develop in the United States, and it was then that I decided to make it my home.
Obtaining the O-1 extraordinary ability visa was the culmination of that effort. Gathering evidence of my achievements, everything about my work in Argentina and in the United States, it was a challenging process that reinforced my resilience and my determination to keep growing.
Receiving the O-1 visa not only meant the ability to work legally in the United States but also validated my journey and my capacity to turn every obstacle into an opportunity. Being a Latino immigrant artist has taught me that every challenge, every scholarship, and every achievement is a stepping stone that drives me to continue creating with passion, determination, and pride in my roots.


What do you find most rewarding about being a creative?
For me the most valuable aspect of being an artist is the ability to transform emotions, ideas, and experiences into something that can truly impact others. As a performer, I find fulfillment in expressing myself through performance, but my growth doesn’t stop there—directing, choreographing, and teaching have shown me another dimension of artistic responsibility.
As a director and choreographer, I have the opportunity to guide entire projects, transform creative visions into tangible experiences, and collaborate with teams of artists to create something greater than the sum of its parts. This process requires patience, and sensitivity, and it allows me to leave a mark on each project that goes beyond my own performance on stage.
Being a teacher for new generations of artists is perhaps one of the most rewarding experiences. Sharing knowledge, inspiring passion, and supporting others in their artistic development not only strengthens their skills but also but also helps to shape their personality. Teaching reminds me that creativity and expression are powerful tools to empower others, and it’s also a tool that helps me give back everything my mentors gave me; I feel it’s a way to show my gratitude for every opportunity I had.
Contact Info:
- Instagram: @facundo.agustin
- Youtube: Facundo Agustín / @facundoagustin5904



