We’re excited to introduce you to the always interesting and insightful Marcos Mazzola. We hope you’ll enjoy our conversation with Marcos below.

Marcos , thanks for joining us, excited to have you contributing your stories and insights. We’d love to hear about a project that you’ve worked on that’s meant a lot to you.

One of the most meaningful projects I’ve worked on is Sport Fishing Championship—the largest offshore fishing tournament trail in the world. I’ve been involved with the series across multiple seasons, and each one has pushed me creatively, logistically, and personally.

SFC isn’t just about who catches the biggest fish—it’s a high-stakes, fast-paced production that spans the entire saltwater coast, from the Gulf of Mexico to the Atlantic. I’ve filmed on everything from elite sportfishing yachts to dockside weigh-ins, working in unpredictable conditions and tight turnaround windows to deliver compelling, cinematic content that captures not just the competition, but the lifestyle and community behind it.

What made it so meaningful is the scale and complexity of the storytelling. You’re covering multiple teams, sponsors, weather systems, and locations—all while maintaining a consistent visual identity and emotional throughline. It takes a mix of instinct, discipline, and adaptability to pull that off, and I’m proud of the role I’ve played in shaping the look and feel of the series.

Beyond the production itself, it represents a culmination of everything I’ve built over the years—my transition into high-end outdoor media, my ability to lead on-set and off, and my commitment to elevating the stories that live on the water. It’s the kind of project that reminds me why I do this: to create work that’s immersive, respected, and rooted in real passion.

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?

I’m Marcos Mazzola—a filmmaker and photographer specializing in outdoor media, with a strong focus on storytelling within the fishing and conservation space. I was born and raised in Venezuela, and unlike many people in this industry, I didn’t grow up fishing. My journey into this world didn’t come from a childhood on the water—it came from picking up a camera after moving to the U.S. and realizing the power of stories that live outside the mainstream.

I started by shooting whatever I could—small gigs, brand content, behind-the-scenes—but what pulled me in was the intersection of nature, people, and the raw, unscripted beauty of the outdoors. That led me to work on projects like Sport Fishing Championship, Kings of Bass, Florida Watermen, and various documentary initiatives for nonprofit organizations supporting veterans through therapeutic fishing.

What I do now is a blend of cinematography, production, and creative direction. I produce everything from branded content and social campaigns to multi-episode series and doc-style features. Whether I’m on a skiff at sunrise capturing the moment a tarpon explodes on a fly, or in post-production threading together story arcs across multiple states, my focus is always the same: make it feel real and make it mean something.

For clients, I solve a couple of key challenges:

Authenticity in storytelling: A lot of outdoor media can feel scripted or commercialized. I bridge that gap by making content that’s visually elevated but emotionally grounded.

Production in unpredictable environments: I’m used to shooting in remote locations, on boats, in rough weather, with limited time—and still delivering high-end results.

Creative leadership: Whether I’m directing a project or stepping in as a senior videographer, I bring structure, vision, and adaptability to every set.

What sets me apart isn’t just technical skill—it’s instinct. I know how to find the human moments in rugged environments, how to make athletes or guides feel comfortable on camera, and how to turn chaos into cohesive, compelling visuals.

I’m proud of the trust I’ve built with brands and partners, but more than anything, I’m proud of how far I’ve come—moving to a new country, building a career from scratch, and creating a body of work that’s both professional and personal.

If there’s one thing I’d want people to know about me and my work, it’s this: I don’t just shoot fishing—I shoot stories about people, passion, and place. The fish just happen to be part of the ride.

What do you find most rewarding about being a creative?

For me, the most rewarding aspect of being a creative is capturing something real and knowing it’ll live longer than the moment itself.

There’s nothing like filming a guy holding back tears on a boat because it’s his first time fishing since his deployment—or watching a fishing guide light up as they talk about the spot their grandfather taught them to fish. Those moments aren’t staged. They’re raw, fleeting, and deeply human. And the fact that I get to document them, shape them, and share them with the world—that’s the reward.

I’m not in this just to make things look good. I’m in it to make people feel something. Whether I’m working on a high-end tournament show, a brand piece, or a docuseries with veterans, what fulfills me is the chance to tell stories that matter, especially in a space—outdoor media—where depth and emotion aren’t always front and center.

At the end of the day, it’s about connection. My camera has taken me from boat decks at sunrise to editing rooms at midnight, and into some of the most meaningful conversations of my life. And knowing that something I create can move someone—that’s everything.

Looking back, are there any resources you wish you knew about earlier in your creative journey?

Absolutely!

First, I wish someone had sat me down and explained the business side of the creative world. It’s not just about shooting cool content—it’s about knowing your worth, setting boundaries, negotiating contracts, and understanding how to protect your time and your rights. Early on, I said yes to a lot without realizing what I was giving away, just because I didn’t know better.

I also wish I had found a community of other creatives sooner—people who were a few steps ahead and willing to share what worked and what didn’t. Whether it’s through online forums, mentorships, or even just reaching out to people on Instagram or LinkedIn, learning from others can save you years of trial and error.

But maybe the biggest thing? I wish I had started building my personal brand and body of work intentionally right from the jump. Don’t wait for someone to give you permission. Make the stuff you care about, tell the stories that move you, and post it—even if it’s not perfect. That’s how people find you.

It’s a long game. But if you’re consistent, curious, and willing to figure it out as you go, it’ll take you further than you think.

Contact Info:

• Website: https://noctismediagroup.com
• Instagram: marcosmzzl
• Linkedin: https://www.linkedin.com/in/marcos-mazzola-7b2718114/

Image Credits

All photos credit Marcos Mazzola