We recently connected with Patricia Peter and have shared our conversation below.

Patricia , appreciate you joining us today. Are you happier as a creative? Do you sometimes think about what it would be like to just have a regular job? Can you talk to us about how you think through these emotions?

I’m definitely happier as a creative, but I’d be lying if I said I never thought about what it would be like to have a regular job. The last time was a few months ago during a prep for a film — I came home after a 12-hour day, completely exhausted, and saw a friend post about their promotion at a big architecture firm. I imagined the stability, the structure, the weekends off.

But then I remembered how unfulfilled I felt in that world. Even in my most burned-out moments, I feel more alive building stories than I ever did designing for corporate clients. It’s chaotic, yes — but it’s where I feel most like myself.

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?

I’m a multidisciplinary Production Designer and Set Designer with a background in architecture, interior design, and visual storytelling—with a passion for crafting immersive, emotionally resonant experiences. My path into the industry wasn’t linear; it began with a love for space, structure, and story, which gradually evolved into a career where I could combine all three.

After several years working in leading architecture firms, I transitioned into production design, where I now focus on creating environments for film and television—bringing fictional worlds to life through thoughtful, narrative-driven design.

I offer a range of creative services, including:

Set design
Art direction
Concept development
Visual research
Spatial design
Custom installations
Creative consulting

What sets me apart is my ability to blend practical design thinking with emotional storytelling. I don’t just create sets or visuals—I build narrative environments that support character, mood, and meaning. My approach is grounded in collaboration, empathy, and precision. I thrive in team environments where creative risks are encouraged and where every detail contributes to a cohesive story.

One of the projects I’m most proud of is designing a complex cave set for a short film, completing a full production on a tight budget and timeline, or leading a design that premiered at a festival]. Moments like these reflect not only the creativity but also the resilience and resourcefulness that I bring to my work.

Ultimately, I want clients, collaborators, and audiences to know that I care deeply about what I do. I believe great design is invisible—but its emotional impact is undeniable. I bring clarity, intention, and heart to every project I touch.

Whether you’re a director envisioning a new world, a producer looking for a creative problem-solver, or a fellow designer seeking collaboration—I’m here to help bring the vision to life.

What do you find most rewarding about being a creative?

For me, the most rewarding aspect of being a creative is the ability to take something that starts as a feeling, an idea, or a fleeting moment—and turn it into a world others can step into. Whether it’s through designing a set, shaping a mood, or building a space that supports a story, there’s something deeply fulfilling about creating environments that make people feel something.

I’m drawn to the emotional architecture of a scene—the way a well-designed space can amplify a character’s journey or subtly shift the energy of a moment. It’s incredibly rewarding to know that my work can help tell a story in a way that resonates, even if it’s on a subconscious level.

On a personal level, I love that this work keeps me curious. Every project demands something new—whether it’s historical research, technical problem-solving, or learning how to collaborate with a new team. There’s always growth, always discovery, and always a chance to connect with others through a shared vision. That, to me, is the heart of what makes being a creative so meaningful.

Is there mission driving your creative journey?

Absolutely. At the core of my creative journey is a mission to tell stories that feel lived-in, grounded, and emotionally authentic—through the environments I design. Whether I’m working on a film, series, or installation, I’m driven by the belief that space is never neutral—it holds memory, atmosphere, and emotion.

My goal is to create worlds that do more than look beautiful; I want them to evoke feeling, reveal character, and deepen narrative. I’m especially passionate about projects that center underrepresented voices or explore complex emotional landscapes—stories where the design can subtly echo internal states or social themes.

I also see my work as a bridge—between architecture and storytelling, between the technical and the emotional, and between teams working toward a shared vision. I aim to bring empathy, clarity, and creativity into every collaboration, and to keep growing as both an artist and a problem-solver.

Ultimately, my mission is to use design as a form of storytelling—and to leave behind work that’s thoughtful, resonant, and made with intention.

Contact Info:

• Website: https://www.patriciapeter.com
• Instagram: @patriciaepeter
• Facebook: https://www.facebook.com/patricia.peter.5203/
• Linkedin: https://www.linkedin.com/in/patricia-peter-00108042

Image Credits

Patricia Peter