We recently connected with Yez Tutic and have shared our conversation below.
Hi Yez, thanks for joining us today. What’s been the most meaningful project you’ve worked on?
One of the most meaningful projects I’ve worked on was for the Women in Tech Miami 2024 event. I was invited to contribute something special for a select group of 35 women who attended a private meeting, recognizing their participation and future contributions to the community. My goal was to create a gift that wasn’t just an object, but a meaningful representation of connection, unity, and shared purpose.
The inspiration came from an exhibition I did in the summer of 2023. In that project, I took a large painting, cut it into 13 framed pieces, and installed them separately. The idea was that even though each piece was owned by a different person, they were all forever connected—each holding a fragment of a greater whole. I loved how this concept transformed art into a shared experience, where individual ownership didn’t diminish its unity but rather strengthened it.
For Women in Tech, I knew this idea was a perfect fit. I chose a painting I created in 2021 called “Union”—which means unity in English—and deconstructed it into 35 pieces. Each woman received a unique fragment of the artwork, making them part of something larger than themselves. It symbolized their collective strength, their role in shaping the tech industry, and the importance of supporting one another.
This project was deeply meaningful to me because it reinforced my belief that art has the power to connect people beyond physical spaces. Seeing the women receive their pieces and knowing that, no matter where they go, they are forever linked through this artwork, was incredibly rewarding. It reminded me why I create—not just to express myself, but to bring people together in ways that feel personal and lasting.
Yez, love having you share your insights with us. Before we ask you more questions, maybe you can take a moment to introduce yourself to our readers who might have missed our earlier conversations?
About Me & My Creative Work
I’m Yezica Tutic, an artist born in Buenos Aires, Argentina, now living and working in Brooklyn, New York. Growing up surrounded by strong, resilient women—my mother, grandmother, and aunts—I learned to approach life with strength, curiosity, and determination. These experiences are reflected in my work, where I explore themes of female empowerment, identity, and the dynamic nature of femininity through a variety of mediums.
My creative journey began early, at the age of four, and was formalized with studies in fine arts at the National University of Art in Buenos Aires. After moving to New York in 2013, I immersed myself in the vibrant art scene, assisting Canadian artist Bradley Hart, taking courses in ceramics and screen-printing, and continuing my exploration of color theory and abstraction. Over the years, I’ve developed a multidisciplinary approach to art, blending painting, video performance, and upcycled fashion into my practice.
My work often focuses on color theory—using color relationships to create movement, vibration, and sensations that resonate with the viewer. Whether it’s through my large-scale paintings or mixed-media works, I explore how different colors react together, creating emotional and physical responses that invite the observer to experience the world through my lens. My most recent series delves into female empowerment, where I combine color with forms of the female anatomy to reflect the fluidity and strength of femininity.
Beyond my personal art practice, I also have extensive experience in art handling and preparation. Over the past several years, I’ve worked with numerous galleries, museums, and private clients—many of whom are artists themselves. I specialize in art curation, hanging, and stretching large format canvases (up to 3 meters x 3 meters). My work helps artists prepare their pieces for display and shipping, and I also fix bad stretching jobs and provide unstretching services when needed. For the past three years, I’ve been stretching canvases for NYC galleries and artists, ensuring that their artwork is displayed in the best possible condition.
In addition to my gallery work, I’ve spent the past four years working as a scenic artist for movies and TV shows in New York City. This experience has expanded my knowledge of different art techniques, materials, and working on sets, allowing me to refine my craft while contributing to larger creative projects. Last year, I had the opportunity to design, build, and paint a set for Nestle USA, featuring their products—a project that pushed my skills further and solidified my ability to merge fine art with commercial work.
I also had the opportunity to work on large-scale murals for Christine Sun Kim, a renowned artist known for her work blending American Sign Language (ASL), musical notation, and the body. I painted murals at several museums in NYC and upstate New York, including the Queens Museum, Parrish Museum, and Tang Museum. “Time Owes Me Rest Again”, is the name of her art work I executed in the Queens Museum, which it was an impressive 126 feet by 36 feet, adding an exciting challenge to my practice. That project was even featured in an episode of Art of the 21st Century, season 11, episode “Friends & Strangers”, highlighting Christine’s work and my execution of her designs on such a monumental scale.
During the pandemic, I discovered a new passion for tattooing. It’s an exciting new avenue I’m exploring, where I design my own tattoos and also work on others’ designs. My style is fine line illustration, and I had the privilege of doing a mentorship under Janice Danger, a renowned NYC tattoo artist at Grits and Glory. Although I’m still learning, I’m passionate about the process, and my tattoo work is very detail-oriented and smooth, which aligns with my love for precision and intricate design.
What I Create & How I Serve Clients
I create paintings, mixed-media art, and up-cycled fashion pieces, all of which reflect my personal journey and my investigation of color, form, and the human experience. Whether I’m creating a custom commission or offering a one-of-a-kind painting or fashion item, my goal is to connect with the client on a deeper level—through both the aesthetic and emotional resonance of the work. I see my art not just as an object, but as a tool for connection and empowerment.
In my fashion work, I upcycle vintage clothing, giving each piece new life through artistic techniques such as screen printing, embroidery, and painting. These pieces are more than just garments—they are wearable works of art, telling a story and allowing people to express their individuality through fashion.
What Sets Me Apart
What sets me apart is my ability to bridge the gap between fine art and practical art handling, offering a well-rounded experience for both collectors and artists. My background in art curation, canvas stretching, and scenic design allows me to not only create my own works but also support other artists in the preparation and presentation of their pieces. I understand the technical aspects of art handling just as much as I understand the creative process, which ensures that I can bring art to life in a way that’s both aesthetically powerful and practically sound.
Additionally, my experience as a scenic artist has expanded my technical expertise, allowing me to bring a high level of craftsmanship and innovation to my set designs, while continuing to evolve as an artist in my own right. The work I do on sets gives me a unique perspective that enriches my paintings and the upcycled fashion pieces I create.
What You Should Know About Me and My Work
Above all, I want my audience, clients, and followers to know that my work is about connection—not just between the viewer and the artwork, but also between people, identities, and experiences. I want to create works that resonate with people on a deep, personal level and provide an opportunity for them to reflect on their own stories and identities.
I am passionate about empowering others through my art and creating a sense of unity, whether through the fragmented art I create or the upcycled fashion pieces that encourage sustainability. Each piece I create is a reflection of who I am and a step forward in my continuous journey as an artist.
What do you find most rewarding about being a creative?
For me, the most rewarding aspect of being an artist is the opportunity to communicate and connect on a deeper level with others through my work. Art is a way of expressing myself and my experiences, and knowing that my creations can resonate with others and evoke emotions, thoughts, or even spark change is incredibly fulfilling. It’s not just about the act of creating but also about the conversations and connections that arise from it. Whether through my paintings, performances, or tattoos, each piece has its own story and energy, and I love seeing how different people interpret and engage with it.
Another rewarding aspect is the constant personal growth and discovery. As an artist, I’m always learning, experimenting, and evolving. Every project pushes me to explore new techniques, ideas, and perspectives. Whether I’m working on a large-scale mural, curating art, or developing new tattoo designs, the challenge to continually improve and step outside my comfort zone keeps me motivated. The creative process itself is a journey, and that continuous evolution is one of the most exciting and rewarding parts of being an artist.
I also love solving problems and helping others. Whether it’s helping a client bring their vision to life with a custom tattoo or finding creative solutions for a large-scale installation, I find joy in using my skills to address challenges and make things come together seamlessly. It’s incredibly fulfilling to know that my work can not only inspire but also solve practical problems for others in the creative community or beyond.
Lastly, seeing the impact that my work has on others—whether it’s helping a client with a personalized tattoo or seeing someone experience a piece of art that speaks to them—reminds me why I do what I do. The way art can bring people together, provoke thought, or even serve as a form of therapy is incredibly meaningful to me. It’s about making people feel something, and in turn, that’s what keeps me inspired to keep creating.
What do you think is the goal or mission that drives your creative journey?
Yes, there is a core mission driving my creative journey, and it’s rooted in the desire to express and connect with others through art. My goal is to create work that not only reflects my personal experiences but also resonates with people in a meaningful way. Art, for me, is a powerful tool for communication, and I want my work to spark emotions, thoughts, and conversations that can inspire change, healing, or simply a moment of connection.
Another key aspect of my mission is using my art to empower others—especially women. A lot of my recent work has focused on female empowerment, exploring themes of strength, unity, and the dynamic nature of femininity. I want to create art that celebrates these qualities, offering a sense of pride, connection, and self-expression for anyone who encounters it.
On a broader level, I’m driven by a deep desire to push boundaries, learn new techniques, and constantly evolve as an artist. I love exploring different mediums—whether it’s painting, performance, tattoos, or large-scale murals—and discovering new ways to challenge myself and engage with the world around me. My mission is to never stop growing and evolving, and to use each new challenge as an opportunity to learn, solve problems, and create something meaningful.
Ultimately, my goal is to leave a lasting impact through my work, whether it’s by making someone feel seen and understood, offering a new perspective, or contributing to a larger conversation. I want my art to not only be something people admire but also something that truly moves them and stays with them long after they’ve experienced it.
Contact Info:
- Instagram: https://www.instagram.com/tutic.studio?igsh=d2tvaXEycmVjMXQ5&utm_source=qr
- Linkedin: Yezica Tutic
