We’re excited to introduce you to the always interesting and insightful Betty Lacy. We hope you’ll enjoy our conversation with Betty below.
Betty, thanks for joining us, excited to have you contributing your stories and insights. Can you talk to us about a project that’s meant a lot to you?
One of the advantages of being a textile artist is the tactile experience of working with fabric. While feeling the fabric you are simultaneously responding to the touch, feel, and visual representation by sewing, cutting, gluing, and layering, In this process, something inside and outside is being changed. Beginning with a tug of dismay, confusion, anger, or grief through a dream, story, current, or past event, a wake-up call percolates through layers of my heart and mind spurring me on to explore this UFO that has landed inside of me. The creative process shifts quickly and other times slow as molasses but moves me in a direction of trust and openness to receiving and when it gains speed almost always involves pulling in others in our community. Examples of meaningful community-centered ART projects include; The Vagina Quilts Project”, awareness of sexual abuse and participation in the film, “Until The Violence Stops”;”Quilt of Compassion”, a response to 9/11; “Water Rights”, working with the climate crisis; “Orlando”, response to homophobia; “Every Little Piece”, Suicide Awareness Project; “Plasticity”, informing of the plastic crisis; “Where is Home”, highlighting the unsheltered.
As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?
What do you find most rewarding about being a creative?
I find it rewarding to design quilts in a series with a particular message. The “Mystree” quilt series incorporated bridges and trees symbolizing the long journey one experiences through facing Alzheimer’s Disease. It was accepted into Quilt National, an international quilt competition. It allowed me to work through my grief and intergenerational trauma from having a mother, grandmother, and great-grandmother suffer from this terrible disease, while bringing attention to this pandemic we are reluctant to talk about.
Let’s talk about resilience next – do you have a story you can share with us?
There are many times in my career as an artist that I have thought about quitting art. My story of resilience is simple. I get back on the horse even after it has kicked me off. And it has kicked me off a dozen times or more in the last 30 years. In other words, sometimes we get art block the same as writers with writer’s block. There is a season… and sometimes it isn’t the season now to produce. You may be lazy. Or something terrible has happened in your life. Or life is just so darn busy there is no time for art. So you take a break, but you don’t stop. Well, you may stop for a short time or even a long time but you keep returning to creating your art because it just plain calls to you and you stop resisting and start listening and voila the percolation begins. It’s not something you can control. Sometimes you can’t wait to get in your studio and sometimes the door won’t open…but eventually something lets you in. Some mystery opens and viola here you are once again creative juices flowing and you are good…oh, so good.
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